the weird folk / folkpop of
Animal Collective

CD (2004), CD (2004),CD (2005), CD (2005)










Fat Cat Rec.Animal Collective (featuring Vashti Bunyan: Prospect Hummer (US,2005)****

Strange how suddenly, after all these years, the ball keeps on rolling for Vashti Bunyan. First the bootleg reissue of her album, then the rediscovery of her resulting in an official reissue, followed by appearances on a recording of Pianomagic, with Devendra Banhart and who knows who else, and now here. It’s that kind of child-friendly purity in her voice, which even is intact nowadays, which is so attractive. The 4 songs are very intuitive and need repeated listens before one know what really is happening. Many times I started to dream away with the first song, “It's You”, with it’s harp strings strums and lush vocals. With funny and gentle "wowo" en "wawawa" backing vocals and acoustic guitars, sparse drumming and percussion, the next track “Prospect hummer” is a more clear song. It’s a perfect blend of a recognisable Animal Collectstyle ive which seems to be amazed by, transformed, and hazed from delicate inspiration with a noticeable silent respect for Vasthi Bunya’s song frame. “Balect Sample” is an instrumental mixed intermezzo which takes elements of echoed layers of strummed guitar repetitions with some nice odd background sound loop sample (as a breath of wind from an old squeezy toy). Last track, “I Remember learning how to drive” is another nice song with multilayered vocals lead by Vashti Bunyan. It has acoustic guitar and some naturally looped click percussion. A short but really nice album !

Info with audio of 3 tracks : http://fat-cat.co.uk/fatcat/release.php?id=163
Review with 3 audio tracks : http://www.boomkat.com/item.cfm?id=17222
Other reviews : http://www.pitchforkmedia.com/record-reviews/a/animal-collective/prospect-hummer.shtml
& http://www.dustedmagazine.com/reviews/2141
& http://popmatters.com/music/reviews/a/animalcollective-prospect.shtml
& http://www.almostcool.org/mr/a/a86mu.html
& http://www.theunbrokencircle.co.uk/album_reviews_text_archive8.htm#Bookmark 9
& http://www.tinymixtapes.com/musicreviews/a/animal_collective.htm
& http://www.cokemachineglow.com/reviews/animal_hummer2005.html
& http://www.30music.com/rev.php?rev=1268&mode=
Homepage Vashti Bunyan : http://www.anotherday.co.uk/
Audio of Vasthi Bunyan's release from 1970 : "Diamond Day"(or here), "Glow Worms", "Where I Like To Stand"
Vashti Bunyan reviews on next page->
Fat Cat Rec.            Animal Collective : Feels (US,2005)**°°

In a more constant rhythmic mode than the earlier release we have here at first a bunch of songs, four in total, with rhythmic swimming pool-like fun enjoyment, with harmonised vocals which are slightly T-Rex like vocally with additional harmony arrangements. These vocals can be choir like, like children on a different level of enjoying themselves when the teacher in the class has his/her own degree of flipping. They also sometimes scream like crows like a percussive element. Here the music is like a collective train riding through a colour book landscape with all attention paid to the train energy, and keeping it song orientated in expression, with some speediness, just for fun, as a pretty enjoyable focused fantasy of music. Then the music calms down, with its own descriptiveness, and with more stagnant moods, which have throughout the following tracks some evolution in their own musical-creative process. Last track, “Turn Into Something”, is more rhythmical again and compromises both inspirations, resulting in a blurry ambient expression. The album is enjoyable, but some of the accidental built up elements are to some agree not equally convincing. The fun of the early tracks and spherical creativity elsewhere are somewhat contradictory, and gives it a less focused descriptiveness as the album could have had, if it was inspired less accidentally and more constructive intuition.

The songs had contributions from violinist and producer/arranger-master Eyvind Kang (Mr. Bungle / Sun City Girls / Arto Lindsay / Laurie Anderson / John Zorn / Secret Chiefs 3), and Kristín Anna Valtysdóttir (Múm / Storsveit Nix Noltes), who plays piano throughout.

Info with 5 audio tracks : http://fat-cat.co.uk/fatcat/release.php?id=172
Review with 3 audio tracks : http://www.boomkat.com/item.cfm?id=18317
Other review : http://www.monochrom.at/cracked/reviews/Rev%20animalcoll3.htm
& http://www.noripcord.com/reviews/A/animalcollectivealbum2.html
& http://www.speakerspushtheair.com/articles/articles_more.php?id=328_0_3_0_M
Fatcat Rec.Animal Collective : Sung Tongs (US,2004)***°

This pretty freshly squeezed music juice playing bones for deuce comes from a combo that had already three releases before this. But this one might have received the utmost attention in production. The polyphonic arrangements remind me somewhat of Cerberus Shoal. Only this group embodies itself within stricter playing-garden-like powowow rhythms, a large portion of humoristic play, funny vocals, haha hand-clapping madness, with pleasant “surreal-animals farm” loops. The instrumentation alternates often, up into the insect crawling detail. The first four tracks, “Leaf House” , “Who could wind a rabbit” , “the softest voice”  & “Winters Love” are just brilliant ! Then “Kids on Holliday” slips itself into a more sleepy hypnotic style, like “Visiting Friends” a bit later too, hanging on one chord a bit longer as usual, with the second, pretty long, track, in a more minimal experimental mode which is a bit too repetitive to convince as raga or gaga, but I still can call it raga-gaga. “Sweet Road” in between this has again this rabbit-hole-pop-up like kind of humoristic approach, both rhythmically, and in vocals. At “We Tigers” it becomes humoristically and stylistically ritualistically. Also the following tracks keep this surreal mood, this time as a performance inside the hut amongst other crazed spaced-out dropheads. The concluding track, “Whaddit I Donne” is also really very funny, and original, for its invention of the wahwah-vocals!! Really sad to say goodbye now. The wahwah is still wondering and pondering in my head.

Info with 4 soundfiles :
http://www.fat-cat.co.uk/fatcat/release.php?id=107&FATSESS=f85494815f1c87864791ad39a6e1b3a f
Other soundfragment : Sounds : “Kids on Holliday
Other reviews : http://popmatters.com/music/reviews/a/animalcollective-sungtongs.shtml
& http://www.musicomh.com/albums2/animal-collective.htm
& http://foxydigitalis.com/foxyd/animal_tongs.html & http://www.pitchforkmedia.com/record-reviews/a/animal-collective/sung-tongs.shtml & http://www.dustedmagazine.com/reviews/1439 & http://www.themilkfactory.co.uk/reviews/ac_sungtongs.htm & http://www.rockreview.org/animal.htm
An older song “Slippi 1" shows the group was more exp rock before, while this album is much more psych/folk. From “Here comes the Indian" "Native Belle" , "Slippi"
From Spirit They're Gone, Spirit They've Vanished / Danse Manatee : "Chocolate Girl" ,"Ahhh Good Country"
Paw TracksAnimal Collective : Here comes the Indian (US,2003)***°'

Having checked out this older Animal Collective release I think it would be a shame to neglect it. While I showed enthusiasm for ‘Sung Tongs’ I also had noticed some highlights and lesser brilliant moments in it, which didn’t make me listen to the album too often. But this older album seemed to be much more consistent material. The shop owner thought it would be too experimental for me, but I tried to explain that if experimental music is made conscious, and is expressing a world with recognisable as human expression, with an ear for harmony driven from an inner awareness and performed with structurally making sense… it was hard to explain, .. I personally don’t like vague uncontrolled coincidence and careless nonsense. There must be happening something rich, like the creation of a world on its own. It seemed I was describing this Animal Collective’s album. To this there’s an inner ritual going on, in which I recognise the group, often like natural sounds in an environment, with manipulated sounds, acoustic ramblings and, and some keyboards improvisations, then going more berserk controlling all the forest’s animals and its possessed ghosts. This is beautiful and rewarding experimental music with some stranger spheres as well, that still invites well for repeated listening visits.

Audio :  "Native Belle","Slippi"
Label info : http://www.paw-tracks.com/edit/catalogPops/paw1Pop.htm
Other reviews : http://www.dustedmagazine.com/reviews/816 & http://www.ab-cd.com/icbin/media/PAWT1.2.html
& http://www.htrecords.co.uk/results.php?labelid=3782
& http://www.stylusmagazine.com/reviews/animal-collective/here-comes-the-indian.htm
& http://citypages.com/databank/24/1178/article11365.asp & http://www.almostcool.org/mr/66/
& http://www.z95.com/album/644332/review & http://www.epitonic.com/...
& http://www.carparkrecords.com/animal_collectives_CD.html
& http://www.fakejazz.com/reviews/2003/animalcollective.shtml
Interview : http://discorder.citr.ca/features/03auganimalcoll.html
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