Finnish experimental folk :
Avarus

CD (2004), CD (2005), CD (2006)









Secret Eye   Avarus : Jättiläisrotta (FIN,2004)**°' (vg->ex)

When I hear many of the so called “experimental” folk scene releases, especially in the drone folk examples, I always wonder how much these musicians can really play, and how many real focused ideas and perspectives they really have. Then I also wonder whether they only play this kind of music because there, they can hide a lack of talent for expressing disciplined and focused composition evolutions ?

I heard the first release by Avarus once on Lalalal, and it lacked also some clarity in ideas, besides it wasn’t too well recorded. With this release I think their sound has improved greatly.

Donkkaavarappaava Kaalikoira” sounds like a garage-psych kind of “experimental" acoustic music. After some softer acoustic (and electronic) meanderings, at the 5th track, “Herra Ykkönen”, they go more towards a real psychedelic tension, ritual-like, on the edge of nonsense, but with a real great effect (percussion, vocals, organ, some vocals, and other things). A similar nonsensical acoustic psychedelic edge is continued on “Amurin Hiuskolmio”, becoming free-formed, un-tuned and surreal, as a “funny-or-not ?” expression, -see the badly painted-over with chalk-paper Garfield cartoon drawings on the back cover (right)- This evolves over “Ahdistava Haisemisen Loordi”, to a darker ritual percussion and strumming on “Prinssi Halonen”, almost threatening in its tension -see the front cover (left)-, ending with some more echoes, then evolving in the last couple of tracks which are well done variations of improvisations fitting well together.

Avarus succeeds here to present a consistent release with a good portion of variations within the limitations or definition of their wanderings. This is really good if you like a combination of acoustic sound-mood experiments and a kind of very loosely inspired psychedelia.

More audio : "Iso Laakelaiva"
Info on group : http://www.secreteye.org/se/artists/avarus.html & http://zerga.deepturtle.net/avarus.html
& on release : http://www.secreteye.org/se/a13.html
Other description : http://www.tonevendor.com/item/16190
Other releases from Avarus : http://www.haamu.com/lallallal/
Review on older CDR : http://www.maelstrom.nu/ezine/review_iss14_907.php
Other review : http://terrascope.co.uk/Reviews/Reviews_March05.htm#Avarus
Tumult!Avarus : Ruskeatimantti (rec.2001-2003) (FIN,2005) CD1*°°/CD2***°

I thought this would be a new release, but only when I had this in my hands I notice it was a compilation of earlier more limited recordings released as limited CDR releases on Lallallal and one 7”, including the CDR I already had from them, so then I knew already what to expect for the first CD.

About this early stage of Avarus (2001) I still was a bit sceptical about the first attempts. “Posum Ekor Kait Dataran” with its two tracks and the second release “Horuksen Keskimmäisen Silman Mysteerikoulu” both have very stoned, dark, shadowy ritualistic amateur acoustic improvisations, with some drones and repetitions and interwoven layers that give it a good effect. This kind of drone-folk & experimental folk, as it is often called, I still prefer here to put in a different category, an outsider side-category of psych-folk. The music here still has not much attempt at structure, clarity or skills. It arrives at the “psych” thing, by accident, without filtering any ideas of structure. Each improvised moment it starts anew, it is always, always in this stoned context. The music itself IS borderline. All ideas are interesting enough, but never over the top, because of the little attempt to expand the accidental maximum horizon of the moment. All created sounds just work as if coincidentally improvised together, without any other starting point, but the production process of the ritual event. Dali said once about modern art that it didn’t offer anything new. It is only fragments of what happened before in art : fragmented details, and not even painted too well. This music is like such ragments, fragments that are interesting, and that are collected like a collage. They hang well together, become like a carpet, and listens like a carpet-ride, without other visions from what’s happening all around it. From this early stage of Avarus, I miss the vision to make such a concept work for any length. It is no new music or contemporary music, no psych-folk, it is not really experimental, just stoned. Still there are moments of becoming unique and hypnotic, like “Yö..”, in a sense I heard it also on their latest album.

*Audio from 'Posum Ekor Kait Dataran' (2 track cdr) : "Horuksen Vaseman...", "Horuksen Oikean...".
  Info : http://www.haamu.com/lallallal/releases/posum.html
  *Audio from 'Horuksen Keskimmäisen Silman Mysteerikoulu' (12 track cdr) :
  "Mars On Paljastanut Salaisuutensa","Feeniks-lintu Valitti Muista Enemman","Filipplinien Henkikirurgit",
  "Eno Muista Mua", "Kihara Silmapisara","Yö Tuli Ja Beduiini".
  Info : http://www.haamu.com/lallallal/releases/horuksen.html

The second CD however, compiled from three recordings between 2002-2003 takes an important step further. The group and commune feeling here began to form some more indicvidual sound because they start from more unique moments and ideas of which combinations of instruments and oscillating minimalism works best. All these recordings are taken from live recordings. “Maximum Highway lifestyle” for instance has a commune-like group hanging well together for this, with more free music, some abstract parts, partly rhythmic, with some middle eastern improvisation on the background somewhere with lots of echoed noise, then with some Can-like atmosphere with rhythm and electronics, as a great underground psych jam, which became focused and kept this energy for a while when improvising further within a certain hypnotic style. Also the last track “A-V-P” has a continuity and balanced evolution. Both of these recordings are amongst the better recordings of Avarus. Within all primitivism here the group succeeded to realize a hypnotic creation, of  and even Krautrock-like atmosphere, formed out of their limited abilities.

  * From "Luonnon Ilmiötä" (2-track 7") : "Hiiri Ja Käki Ja Karhu Löylyttelee","Sataa Nuuskaa"
  Info : http://www.boingbeing.com/
  * Info on "Maximum Highway Lifestyle" (1 track cdr) :
  http://www.haamu.com/lallallal/releases/maximum.html
  * Audio from "A-V-P" : "A.V.P" &  info on A-V-P : http://www.dlc.fi/~hhaahti/267lattajjaa/ltj-02.htm

I would have preferred if the release would have been re-released in some kind of digipack and with some of the original artwork included (like show above).

Info on this release : http://www.tumult.net/catalog/avarus.html
Other review : http://www.dustedmagazine.com/reviews/2054
& http://www.foxydigitalis.com/foxyd/avarus_rusk.html
& http://www.theunbrokencircle.co.uk/album_reviews_text_archive7.htm#Bookmark%209

New 2006 release reviewed here-->
Secret Eye / Lal Lal Lal      Avarus : Vesikansi (FI,2006)**

The Finns can’t seem to get enough of the ‘sonic’ free music, and this time, with Avarus, they only seem to head into the direction of a Krautrock like an improvisational experience, without succeeding in anything that what comes really near to a real psychedelic feeling, first of all because noone in the group can really play any instrument, and some ability is required to make that work : rhythmic skills and structures that are built upon rhythmic/melodic interactions and pulses are actually not there. So just in case, if this wasn’t the real attempt, what was the case here ? The recording starts on “Lapsivesi” from noise scratched from acoustic sources, with deliberately wrong use of amplifiers and amplified sounds, all with a certain complexity and tension. Second track, “Löylyvesi” seems to have used a loop from ethnic music (from Java ?) as if filitered through a flesh mill and with so much slowed down voices they almost sound animalistic (the seelions on the cover ?), mixed with acoustic make-senses and nonsense, fingerscratching and wind near microphones. Last two tracks are another amalgam of sounds showing some kind of method of collecting sounds like distorted sounds of vocals, filters and abuse of electronica, background noises, with electric guitar spinning nonsense and vocal foolishness, looped keyboards, distorted amplified sounds, chicken sounds that humans do, lots of button switches on electronic instruments and equipment, but really nowhere any rhythms or other making core-structure. It takes to over 7 minutes of this third track before some attempt is made to create an improvised action. Some sequenced rhythmic pulse starts to occur vaguely, with a vocal loop, some electric guitar and a real primitive drum, but also this, so called building-up is done with such a vague idea it doesn’t create that extra kind of energy which distinguishes the great improvisers from the mediocre. Some ambient-experimental keyboards are a last attempt to give this album a psychedelic touch, but it all is so simple that it really doesn’t work for me. The best idea is the collection of sounds, but don’t expect anything else to happen with them.

Audio : "Lapsivesi","Loylyvesi"
Label info : http://www.secreteye.org/se/avarus.html
Homepage (of Lal Lal Lal and Avarus) : http://www.deepturtle.net/avarus.html
Distribution info : http://www.clear-spot.nl/catalog/view.php?item_id=265181
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