the psych/folk/pop of
Colleen

CD (2003), CD (2005), CD (2007)










Leaf RecordsColleen : The Golden Morning Breaks (F/UK,2005)****

After a more ambient-folktronic debut, French born composer Colleen aka Cécile Schott, returns a bit more to her early interest of guitar (dulcimer I think I recognise often too) and other acoustic sounds. The guitar when used is played more like a harp. The whole concept is like a semi-minimal and post-classical highly effective meditative chamber composition with a meditative conscious flow, eternal, structured ethereal and beautiful. There are some keyboard passages, when which they are most noticable are slightly cosmic in a way. There’s a lot of human-free-styled glockenspiel, with some feedback, which has its own wave of fluent self-organisation and reorganisation, from sounding like wind-chimes in meditation or like a musical box evolving as part of a delicate and feminine chamber composition. Brilliant.

Audio of all tracks :"Summer Water"(or here or here), "Floating In The Clearest Night",
"The Heart Harmonicon", "Sweet Rolling", "The Happy Sea" (or here), "I'll Read You A Story",
"Bubbles Which On The Water Swim", "Mining In The Rain", "The Golden Morning Breaks",
"Everything Lay Still".
Audio with review : http://www.soulseduction.com/common/item_detail.php?ItemCode=B182868
& (with 3 audio tracks) http://www.boomkat.com/item.cfm?id=17479
Homepage : http://www.colleenplays.org/
Bio  : http://www.scaruffi.com/vol7/colleen.html
Audio 2003 album : http://www.colleenplays.org/sound/sounds.htm
Other reviews : http://www.themilkfactory.co.uk/reviews/colleen_morning.htm & http://dustedmagazine.com/reviews/2103 & http://www.scaruffi.com/vol7/colleen.html#gol & http://www.dotshop.se/ds//search.php?search=colleen&rand=190669052
Dutch review : http://www.subjectivisten.org/caleidoscoop/archief/001745.php
Interview : http://www.colleenplays.org/interview/yot2003.htm
Leaf RecordsColleen : Everyone Alive Wants Answers (F/UK,2003)****/***'

Colleen’s music is like a compilation of musical boxes, childtoy-size roundabouts or miniatures taken from a dream of child-visions. “Everyone alive wants answers” sound for me like a sea wave playing stringed instruments on the beach, in some prepared order and with some variation, with some birds in the background. “Carry-Cot” on a heart beat-like rhythm with guitar string loop and pre-recorded child voice is like such a translation into music of a framed old and nice memory. The music is built on living loops from guitar strings, echoed sounds, classical music strings or other ideas changing shapes in melody, like waves of flood and withdrawal. Beautiful.

Audio : "Everyone Alive Wants Answers","Carry-Cot", "Babies","A Swimming Pool Down The Railway Track",
"Ritournelle" or http://www.mp3.com/albums/591635/summary.html
& http://www.last.fm/music/colleen/Everyone%20Alive%20Wants%20Answers
Review with 3 audio tracks : http://www.boomkat.com/item.cfm?id=10939
Homepage : http://www.colleenplays.org/ ; Bio  : http://www.scaruffi.com/vol7/colleen.html
Intro : http://www.bbc.co.uk/dna/collective/A1090757
Other reviews : http://www.themilkfactory.co.uk/reviews/colleen_answers.htm
& http://www.pitchforkmedia.com/record-reviews/c/colleen/everyone-alive-wants-answers.shtml
& http://www.noripcord.co.uk/reviews/C/colleenalbum.html
& http://www.posteverything.com/artists/release.php?id=3346
& http://www.prefixmag.com/reviews... & http://home.iprimus.com.au/laurapalmer/colleen.htm
& http://www.angryape.com/reviews/2003/06/colleen-everyone-alive-wants-answers
& http://www.scaruffi.com/vol7/colleen.html#eve
& http://www.agenbyte.com/2003/12/review-colleen-everyone-alive-wants.html
Leaf Label      Colleen : Les Ondes Silencieuses (F,2007)****

I didn’t know what to expect next after the first two albums of Colleen, but this new album succeeded in surprising me. From a previous basically moody overtone collage territory, this new album has more a contemporary feeling, especially in the moody 2-notes-at-once layered harmonies on the (cello-like) viola da gamba improvisations. Most used instruments have similarly built closely-living melodic harmonies which are used on each instrument, like on the (harpsichord-like) spinet, or clarinet, or on the (Tibetan bowl like sounds, in glass, of) crystal glass, while guitar pickings are mixed with, what I think are different pickings instruments, sometimes with an extra layer of a (more viola-like, this time) viola da gamba. The tracks build up from one to the next, first improvisation-like and minimal to some degree, in a meditative way, as if from one quiet spot of sounds-in-environment meditations. The last few tracks seem to resume the meditation field but a bit into a moody contemporary classical piece, moving slightly forward in mind, like walking around in the woods like elves ; this is played by (harp-like) classical guitar (and a second minimalist and rhythmical acoustic guitar) and (a more lower toned, slowly moving) clarinet. This movement more and more reveals something which looks like the image on the front cover of the CD. The elves-like movements move like butterflies in the forest. The guitar pickings thoroughly go to the centre of the forest and reveal there the ‘viola da gamba’ player in the middle, who invented this whole creation, and imagined the mood in it with this instrument, and then plays a last highlight with it with dignity.

Audio on homepage : http://www.myspace.com/colleenmusique
Homepage : http://www.colleenplays.org/
Other review with 3 audio tracks : http://www.boomkat.com/item.cfm?id=34664
Other reviews : http://www.dotshop.se/ds/release.php?code=BAY57CD
& http://www.posteverything.com/artists/release.php?id=18930
& http://www.incendiarymag.com/modules.php?name=News&file=article&sid=1285
& http://www.whisperinandhollerin.com/reviews/review.asp?id=4711
Dutch review : http://www.kindamuzik.net/recensie/colleen/les-ondes-silencieuses
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