the experimenting free folk inspirations of
Fursaxa

CD (2007), CD (2010)










ATP Rec.    Fursaxa : Alone in the Dark Wood (US,2007)**'

Years ago I heard a live recording demo of Fursaxa, but I decided not to give it much notice. Years later she already published two official CDs of which I was able to check out her latest one rather cheaply, which I tried also because it had such nice looking artwork. The simplicity in the approach was still there, only there were a few layers added, and more alternations with instruments, the fundament remains minimal droning monotones-improvisation, with a few close harmonies and this time also with more overdubs of vocal harmonies. Everything is vague, and simplistic and without structure, but never the less sweet and nice to listen to, as a volatile moment. I’m sure there has been made a connexion with the Finnish free folk scene : she had it mixed in Finland. There’s not too much said. Someone lost in the woods, not used to living there, has to start with a vague vision before a stronger bond becomes more real.

Audio & info : http://www.myspace.com/tarafursaxa
Label info : http://www.atpfestival.com/atp-recordings/fursaxa/
Review with audio : http://www.boomkat.com/item.cfm?id=32906
Homepage : http://www.fursaxa.net
Info on artist : http://en.wikipedia.org/wiki/Fursaxa
& http://www.dreamgeo.com/Fursaxa.html
Other reviews : http://www.losingtoday.com/reviews.php?review_id=3709&band_alpha=f
http://www.pitchforkmedia.com/article/record_review/42646-alone-in-the-dark-wood
http://www.popmatters.com/pm/review/42185/fursaxa-alone-in-the-dark-wood/
ATP Rec.    Fursaxa : Alone in the Dark Wood (US,2010)***'

Sharron Kraus once pointed me in the direction of Fursaxa (Sharron had played with Tara as Tau Emerald). She said she was wonderful, never the same, always different. But the live recording of Tara Burke aka Fursaxa I once heard didn’t grab me much. It was badly recorded, and very improvised, lacked a bit direction. Also the latest album, with a beautiful cover, was a bit vague to me, very feminine, but I didn’t really know what to think of it very much. But here with this first, professionally recorded album in studio, with the help of four friend musicians, she really shows the best of herself, and she begins to shine clear. Recorded in Greg Weeks’s studio, together with Greg Weeks, Mary Lattimore (harp on 4 tracks out of seven, and co-writing on 2 tracks) and Helena Espvall (cello on 3 tracks) shared contributions. They all have cooperated with Tara Burke before on the Valerie Project (2006). With Helena Espvall  she also had formed Anahita.

Tara’s formerly slightly vague feminine part turns into a slightly goddess-mysterious feminine aspect, with some pagan-like magic, and elves dance around her. Especially the magical haunting flutes of the first track, some of the droning cello, the overtone singing (first track), shakers, the airy dance high toned backing vocals and much of the harp improvisations contribute well to that. We more have the impressions of separate songs and inspirations with different ideas. A strong improvement to what I have heard before. Very good !

Audio & info : http://www.myspace.com/tarafursaxa
Label info : http://www.atpfestival.com/atp-recordings/fursaxa/
Homepage : http://www.fursaxa.net
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