the folktronica / laptopfolk / private chamber folk of
Hamilton Yarns

LP (2006), CDR (2007), CD (2009), CDR (2010)










Hark!Hamilton Yarns : The Show Boat, Over -12"- (UK,2006)***°

This LP has two different sides. Side one I like especially for its really odd collage of ultra-short intuitive multi-layered short evolutions of ideas with nice sounds combinations and with lots of changes that finds its way into the bigger composition and concept, which is successfully kept together logically, by an arranger and composer and the singer and song’s vision. All the seemingly random search-and-finds shorter story parts all follow the straight rhythmic evolution lines and the music and song structures, like with the general story, while the songs themselves are like readers of that logic, with brilliantly moving changes around it. At the time when this tale is being told, the rhythms often seem to fall apart once more, breaking into new ideas, renewing attention, that like in a chaotic environment, finds and collects new brilliance ideas that appear with this falling-out-of-the-closet percussion. One by one are here collected new minimal and steady beat points, like one note dripping, one-two-three clapping and with a bit of repetition. The cornet then brings on the most moody peaceful moments, and this works like opening up curtains to more colourfully rhythmically driven improvisations. This whole concept moves thoroughly, like in a ballet, and this with more improvisation on electric piano, guitar and percussion, until it recollects, like with the birth of a firebird -or in this case, out of the dust-, the formation of a real band feeling, which had until then remained hidden somewhere, under the ashes and sounds, first in an Edward Ka-Spell manner (vocals, background band, and with additional female vocalist), and then, at the point when a percussive washing board instrument rattles like a duck… with the full band, and with harmony vocals, more sounds in a Volcano The Bear/No Neck Blues Band/ Thee Silver Mt. Zion Memorial Orchestra/.. way, in its final and most organised form. The whole evolution to this moment I found so brilliant, I still hope I will be able to airplay this whole LP-side.

The second side, is much more song based (solo and with dual vocals), while the minimal ideas (piano,..) used for the arrangements, mixed with the mood-makers (harmonica, cornet), are much more distinctive and slightly more rationally logic. The band sound also is clearer, like a pleasant acoustic chamber ensemble playing and accompanying more melodious arrangements. Some background sounds still show up, but there are only few nonsensical rhythmical sounds left.

The LP is limited to 500. I hope there will come a CD version later too.

Audio : "What if the Jokes Come True ?", "Smoke of the Wen", "Happy Gus", "Bridleway", "All the Low Notes"
Homepage : http://www.hamiltonyarns.co.uk/ & with audio : http://www.myspace.com/thehamiltonyarns
Info : http://www.strangeattractor.co.uk/shoppe/shop_yarns.html
& http://www.pondlifestudios.com/artist_information.asp?id=34
Other review : http://www.digitalisindustries.com/foxyd/reviews.php?which=1762
Review with official download & 4 audio tracks : http://www.wovenwheatwhispers.co.uk/..
Review with 3 audio tracks : http://www.boomkat.com/item.cfm?id=24338
Hark!Hamilton Yarns : Search For The Underwater Town -2cdr- (UK,2007)***''

Hamilton Yarns recorded a very nice LP last year, which I listed in the acid-folk section (review here). I could actually also list this new double CDR in this other section, with new chamber music crossovers/theatre-like involved music. There are so many layers of arrangements this often is like a partly abstract, partly descriptive but always harmonious new chamber music, which evolves like a theatre piece.

Especially the first part, (the first album), standing for ‘the future man’, resembles to me like a sublime masterpiece built from many acoustic layers of arrangements, of minimal piano, textures of harmonica, toypiano, glockenspiel, fingered acoustic guitar, close harmony keyboards, clicking tictoc rhythms and other environmental interwoven intermissions (a bit like on Cocorosie’s first album), little brass arrangements (a bit like Sufjan Stevens, if you wish, but made with a feeling for the abstract muse), strange like Residents, but more made for normal harmonies, if not still a part of an unknown world, harmony vocal arrangements, following as much tunes as making new discoveries all the time, colourful and playful.

The second album, standing for ‘the primal man’ sounds more human, earthly, with perspectives on environments, evolving like a folk dance as a matter of saying, finding a little drone, it is a bit more predictable but never the less is very enjoyable listening.

Audio : "One Hand in the Casket", "Bess", "Crowd around the People", "Search for the Underwater Town",
"Walking In", "Wade Across the Paddock", "Industrial Revolt", "Diggers Lament
Label :  http://www.myspace.com/harkrecordings
Hark!    Hamilton Yarns :  Rising (US,2009)****'

Hamilton Yarn’s star is rising. This is a brilliant new work of his which listens for a large part like a musical play. Some of it has touches of Robert Wyatt when he was playing with electronic and poetic expressions of the moment with his voice and keyboards. Electric piano here also is important, as well as subtle and colourfully rich found percussion. The electric piano is used for layers of playful melodies and a few sequenced sessions of rhythmical themes and effects. Other instruments include elements and instruments like harmonium, trumpet and accordion and something like balloon sounds if I heard well. Two voices, male and female interact in the musical play, whispery, and with a tension just like spoken word. The pieces, sometimes more fundamentally spare, are often layered to orchestral heights and are composed with laptop-folk precision. Highly recommended.
I hope this one day will be released on vinyl.

Hamilton Yarns once started as a duo but today seven people are involved.

Homepage : http://www.hamiltonyarns.co.uk/
Info & audio : http://www.myspace.com/thehamiltonyarns
Remarks on http://www.foolproofprojects.co.uk/blackneckband-reviews.html
Article : http://vesselwiththepestle.blogspot.com/2009/03/hamilton-yarns.html
preview copy  Hamilton Yarns :  Hello, sparkle! (US,2010)*****

I don't have a full grip on the real story behind the words, outside of the “maybe baby” promises and church bells afterwards, but the musical story sparkles much more clearly. With a few focuses on improvised slow repetition rhythms this evolves quicker to the next image before you know it, when all unfolds like a colourful dream, with a whole variety of elements, being melodically and with its ever changing arrangements much more interesting than giving any minimal moment another chance than being part of a bigger picture, with two singers softly unfolding their stories, droning harmoniums mixed with piano or organ, with acoustic guitar pickings unfolding and changing similarly, some glockenspiel and flutes, now and then some trumpet tunes leading, and a few environmental settings, like a firework in the background or other outside recordings. Hand-claps are showing the nature of the rhythms. Hamilton Yarns is getting better every time. A wonderful work of art.

Homepage : http://www.hamiltonyarns.co.uk/
Info & audio : http://www.myspace.com/thehamiltonyarns
Review : http://suitcaseorchestra.com/2011/01/hamilton-yarns-hello-sparkle/
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