the improvised / free folk / Arab crossover inspirations of
The Hop-Frog's Collective

CDR1 (2006), vinyl single (2006), CDR2 (2006), CDR1 (2007), CDR2 (2007), CDR3 (2007)










URCKarm Rec.       Hop-Frog's Refrigerator Mothers : Ghosts of a Primitive World (US,2003-2006)**°°

The term "refrigerator mother" was coined to describe a parent, whose cold, uncaring style so traumatized her child that it retreated into autism. Carl Off : “Refrigerator Mothers or ‘emotionally cold mothers’ was the term commonly used as the reason children had autism up through the 1960's. Coming from broken homes and not fitting into the general mould of society this primitive ideal really appealed to us. Hop-frog's Refrigerator Mothers is one of many projects under the Hop-Frog collective umbrella. We are a tight community of artists focussing on experimental and psychedelic arts. We also have a love for music of indigenous & folk music from around the world and attempt to weave a new experimental sound through those influences.
Hop-Frog is a story from E. A. Poe, about a fool who takes revenge on the king after lack of respect. 

This is a collection of recordings between 2003 and 2006. I like the group especially when there are enough instruments and people around, like in the first half of the album. The first two tracks hang together, and start with a found-sound-combination of a looping rhythm in a ride-the-camel-in-a-caravan sphere, mixed with harmonica, amplified guitar in semi-eastern chords, with strange keyboards sounds, some down-the-belly dance hand percussion, and some wahhweih… vocals. It is a rather psychedelic sound improvisation, in a ritualistic way as while travelling. In the second part I hear processed tabla loops, space sounds keyboards, a sound fragment of Arab singing, keyboard drones, with watery and other strange sounds. It has a short slightly annoying keyboard sounds part, then adds Middle Eastern bells rhythms, more Middle Eastern chords on guitars, and acoustic rhythms. The third track starts with an overload lead of North African rhythms and bass strings, mixed with other samples and spoken word,.. The fourth track is different and darker, with rather aggressive conscious words of “I’m this and that” to peak for that everybody can be born as anybody and everywhere,.. This track with ritualistic percussion, wailing guitars and prepared guitar repetitions sounds very much like Virgin Prunes (from the time of their most popular album). The left over 4 other tracks are expressed much simpler and a bit more stagnant in sphere, exploring a fundament of primitive prepared sounds on different guitars or other plucked instruments, with ritualistic hand percussion and with the addition of either some vocal experiment, scraped material chimes, echoing bells, noisy sounds, or bar piano.

The instruments used here were kitchen sink, juno 1, juno 106, cura cumbus, melodica, sh-101, pipes, chains, industrial filter device, electric guitar, twelve string acoustic guitar, electric bass, soft synths, computers, frame drum, floor tom, various cymbals and bells, harmonium, effects processors, Ruan (moon guitar), prepared acoustic guitar, prepared piano.

Refrigerator Mothers is a part of the Hop-Frog’s collective of experimenting musicians. On this release this is Carl.F.Off, e.loi, Hermit the Flog, Denise Owens, Jewelie Off, Karen Crews, Katlyn Off, Matt McGowin, Thee Honey Twin and B Tin White, with guests Benjamin Mahoney, Jason Savvy and Paul Glenn Clabough.
Other projects included hop-frog's drum jester devotional, Catastrophic Mermaids on Parade & the Master Musicians of hop-frog. 
URCKarm Rec.   Refrigerator Mothers : The Nightmare is only a flower on the path to enlightening/
Arab national anthem (US,2006)***°

The single took out cleverly the part with handbells and Middle Eastern guitar improvisation on one of both sides. I assume this is the "Arab National Anthem" part. The other side is the track that starts with the words of "I Am..." in a ritualistic mind-influencing way, and that thoroughly evolves to that great Virgin Prunes like energetic musical psychoses. A very good selective choice from the full album.

Homepage : http://www.hop-frog.com/RM.htm & with audio : http://www.myspace.com/refrigeratormothers
Hop-Frog's Collective page : http://www.hop-frog.com/
Intro on Hop-Frog : http://www.vidioatak.org/insect/hopfrog.htm
Entries on label page with review : http://www.hop-frog.com/rm%20ANA.htm
& http://www.hop-frog.com/urckreleasesRMGhosts.htm
Other reviews : http://outerspacegamelan.blogspot.com/2006/10/refrigerator-mothers-ghosts-of.html
More live pictures : http://www.hop-frog.com/photos.htm

PS. About E.A.Poe's Hop-Frog, the story : http://www.pambytes.com/poe/stories/hopfrog.html
or http://xroads.virginia.edu/~HYPER/POE/hop_frog.html or here
& resume here : http://www.balancepublishing.com/hopsyn.htm
URCKarm Rec.       Hop-Frog's Drum Jester Devotional : Bets ov -volume 1- (US,2006)**°'

Hop-Frog's Drum Jester Devotional uses most often looped ideas from Middle Eastern North African recordings, mixed with band sounds, with electronic and rather fast laptop controlled rhythms, and some spoken word repetitions, that seem to work like almost political statements for the benefit of a creative world into a North African desert context, taken to a citizen's consciousness. The music is like a new ritual form, devotional-organic,  echoed, sandune whirly confronting. I recognise also a hurdy-gurdy drone in the first track, a little fragment from The Cure's Forest album, looped and rearranged to different and faster rhythm drives, with orchestration, nervous Arabian clarinet mixed with middle African singing, and so on.  While the opium plant is on the cover, a plant which brought peace to the users, associating also the ancient travel roots from west to east, the music is more aware of all omnipresent diverse elements that don't find a new place into the creative world yet.

Audio : "Eastern Spleen 3 (Donkey Beat Mix)","Devotional Desert (Poppy Mine Mix)", "ElephantsAgony (Tranquilizer Dart Mix)"
Hop-Frog's Collective page : http://www.hop-frog.com/
Label's entry (with review) : http://www.hop-frog.com/DJD%20BETS%20OV.htm
Homepage with audio : http://www.myspace.com/hopfrogsdrumjesterdevotional
Live picture : http://www.lighthousepromo.net/images/hf5_wlp.jpg

See the many more links and ideas from the Hop-Frog's group : http://www.hop-frog.comsolo release->
URCKarm Rec.      Catastrophic Mermaids on Parade (US,2007)***

This is a solo project by Hermit the Flog from the Hop-Frog collective under a different name. I found the first two pieces especially rewarding, based upon naturally evolving rhythms of loops, drones, waves and sequences this is mixed with a sound variety that also feels natural and dynamic, with sounds that remain recognisable like drones of metallic rubbing, dug-like sound mix of vocal sounds, vibrating sequences into a turmoil of vibrating movements, mixed with pan-flute (“Lonely Eyes of Amnesia”) or more rhythmically processed sequences that becomes like floating, cosmic machinery, or like within waves of water (“underwater orbit donuts”). Thoroughly the abstract movements become more earthy and become completely led by the rhythmic excursions (bass, sequenced loops, rhythmic semi-electronica). There’s added some spoken word (female or a falling asleep hypnotic male voice), without adding much more than this, losing itself into the post-80s wave and  rhythmical trip near the end.

Audio : "the city night prayer i become", "small falling rock burial", "hidden electric flea variations"
Homepage with audio : http://www.myspace.com/refrigeratormothers
More info on the limited releases : http://www.hop-frog.com/urckltdseries.htm
Info : http://www.hop-frog.com/URCKcmopdebut.htmlnext two Hop-Frog Collective releases here->
URCKarm Rec.      Hop-Frog's Drum Jester Devotional : Chants de Sewage (US,2007)**°°

This album starts very interestingly in a semi-middle Eastern/North African feeling, with a singing sample, and an improvisation in two layers of some primitive bowed instrument, with colourful fitting percussion, one note piano touches and certain high tone pitches, as textures first. Also used are more samples of Arab singing. The whole piece is hypnotic & rather psychedelic. There is some spoken word added as well. What is very clever is that the music from then on constantly changes and moves from acoustic sounds to processed sounds until it sounds like produced electronic music, in a similar natural way. Somewhere and suddenly an acoustic guitar theme leads a next part, until the belly dance bells, guitar- and tabla rhythms are being processed like I just described. Only in the end, where more political spoken word is added (the building up of the war history), the music moves less with this thought on stagnancies in certain political evolutions, and it becomes more simple with it.

Audio : sample 1, sample 2
More info on the limited releases : http://www.hop-frog.com/urckltdseries.htm
Info : http://www.hop-frog.com/URCKDRUMJESERCHANTS.html
URCKarm Rec.      The Master Musicians of Hop-Frog : Centuries Later (US,rec.2004,pub.2007)***°

With this title the group seem to refer to their music as if they are conscious of their past lives in a different ethnic group, as if they are remembering their previous Nomad music. This time they play it in a different time, and have their hands on electric guitars, electronic rhythms and rhythmical processes, which they use, like often, to start with in semi-Middle eastern modes, in combination with whistle improvisations, acoustic percussion, glockenspiel and harmonica (“poison well”). The guitars start to roar, with some distortion, some Arab vocal sample comes in, the percussion becomes heavier, brooding and the music brilliantly moves again between acoustic and electronically processed music, rhythmically only like a belly dance for the mind, transforming its general sound harmonies in somewhat acoustic sequences between two worlds (“come and see”. With Indian tabla, acoustic guitar rhythms, spoken word, violin, the additional electronica sound as if becoming the sound format of an aquarium, while the track forms itself into a new kind of world beat music with a tendency to become abstract and organic too (“Jilala across the sky”). The words “LSD is the spiritual antidote to the atom bomb” like a few other sayings can be heard on “Limily Partitians”. “Greensleeves” is a rather fun track, because it uses this tune on keyboards, as well as an Irish folk dance in a different keyboard mode, while the watery sequences continue like nonsense. Last tracks are build up more than before on the rhythms, samples, loops and spoken word, and the last track even the use of dub echoes.

The Masters are E.Loi on guitar, programming, keyboards, effects ; Carl F.Off on bass, synthesizers, accordion, vocals, been, effects ; Hermit The Flog on synthesizers, vocals, accordion, chrismas bells, effects ; David Hazelton on clarinet, synthesizers, percussion ; Thee Honeytwin : vocals on two tracks ; Nancy Blake : flute ; Benjamin Mahoney on guitar, sytnh, effects ; Paul Glenn Clabough : throat swinger ; Robert “Goger” Emery : violin and effects and Blakey and Colin : vocal noises.

Audio : "Poison Well", "Jilala Across the Sky", "Limey Partitions", "The Cherries of Persia"
More info on the limited releases : http://www.hop-frog.com/urckltdseries.htm
Info : http://www.hop-frog.com/urckreleasesCenturiesLater.htm

Another album from the label with more related music is reviewed on next page->
go back to the exp.folk review page list
or go back the psychedelicfolk index
or go back to the general index