the guitar music & acid folk music of
Matthew De Gennaro

CDR (2002), CDR (2003), CDR (2004)









Epigonic Rec.Matthew De Gennaro : Under The Sun (NZ,2002)**°

This is the second private release of 50 only by Matti, played on archtop guitar, tape, accordion, chimes, drum, percussion, amplifier, clavioline, mouth organ, automaton, violin, aeolian harp, viola da gamba, piano and voice.

It’s a quietly evolving release. The first track, “Arrow Bold” has a carpet of fingerpicking guitar with stitches of textures from overtone sounds, from lighter to somewhat more saturated airy colours. On “Organ” there are chimes and organ droning or filling up the surrounding space, satturating in colours. “Ravenwood” is a short edit inbetween live recording improvisation with viola de gamba and a bass string. “Bells” starts with a loop of a bell sound with its overtone droning, then spotlights the musician, improvising loosely with guitar and voice, depressed in a dark kitchen, with the windows open, with background noises. “Heartstrings” on acoustic guitar with guitar overtone drones fills up spacey areas again. “Back of Beyond" is a concluding track with fingerpicking acoustic guitar, and an experimental texturing picking nstrument, with accordion and organ, and a few other instruments on the back, guiding the essence. This whole CD works like a soundtrack, describing a detailed environment.
Epigonic Rec.Matthew De Gennaro : "5" (NZ,2003)**°°

This third release is in fact very different. It is much more focused on the acoustic guitar fingerpicking (with some 'fantazias') and has some folk flavour too. I hear some instruments (organ/pipe like) that contribute to this sphere. The acoustic guitar becomes like a description of wood and a tree in nature, while the other instruments work like grass, flowers or birds, the environment, that makes the vision on the tree more beautiful and full. Matts' voice humming is nothing but another instrument, amongst the others, while the fingerpicking itself describes the real picture. ..“Day after Tomorrow” uses some part of a loop, but especially the one before last track “Hennig Christiansen” is a bit different with a family-noises-like environment-like loop mixed with some organ.* In some way this still is equally descriptive and sweet.. Last track is a very good and structured conclusion with some fingerpicking, an organ part and some song words. Very nice.

Audio : "Fantazia in G Major","Spring Light". Contact : mattdeg@hotmail.com
Both items are still for sale at : http://www.locustmusic.com/catalog3.html

* in the radioshow I said : "On this track are a beautiful two-note organ pulse, mixed with environmental sounds that have their own rhythm, fitting perfectly with the organ. One of my favorite tracks on the album."

Matt de Gennaro received some attention through his cooperations with Alastair Galbraith, for two releases and a couple of live performances, with a film or just performed in darkness, in a very experimental approach on long strings mostly.

Info : http://www.ink19.com/issues/april2002/musicReviews/musicG/alastairGalbraithMatt.htm &
http://www.emperorjones.com/alastairmatt.html
Cooperative release review : http://www.forcedexposure.com/artists/de.gennaro.alastair.galbraith.matt.html
& http://www.austinchronicle.com/issues/dispatch/2002-02-15/music_phases3.html
& http://www.fringesrecordings.com/...

A review of Matti's latest album "Hummbled Down" (2004) ->
Epigonic Rec.Matthew De Gennaro : Humbled Down (NZ,2004)***°

This last recording, sounds for some reasons somewhat more professionally recorded than before. We hear very atmospheric moods with some minimal layers of colours that fit perfectly on top of each other, like in the old fashioned way of painting, where ground colours gleam through giving the perfect glance and makes certain focused parts livelier. One of these layers is done in moments with some environmental sounds, like birds or crickets.
On “Natura” it shows the peaceful environment completely, with half-experimental sounds that have a very natural feel ; the image it creates is like a mixture of a baby chamber, or a barn as a recording place, with some animals in the surroundings, and with an organ as the reflection of the inner man’s soul, while man listens, and has his inner responses to nature’s pulses.
The organ, and sometimes harmonica and some other droning effects, usually stimulates the mood. The acoustic guitar lead is the most descriptive part. But often also the resonance chamber is melting with the other sounds when it becomes its environment and surrounding, -droning- space. Although the acoustic guitar almost everywhere leads the meandering descriptions, I heard also other instruments, like the accompanying second fingerpicking instrument, the banjo, something like cello or violin, and perhaps a few more instruments.

A very beautiful, very descriptive musical trip with a reflective environmental soundscape for inner peace.

Audio : "Candlestick Maker" ,"Coal"
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