Finnish psych-folk/songwriting :
Mi and L'Au

CD (2005), CD (2009), CD (2012)









Young God Records  Mi and L'Au (FI/F,2005)****

When Mi (Finland) and L’Au (France) met they became a couple and musical duo. Their music and energy is sweet and gentle. When Devendra Banhart met he wrote “Gentle Soul” for them. Nowadays they live in Finland and music is like their baby.

The production (Michael Gira) makes the watch-the-personal-story/picture-book in the open window bedroom sphere, something timeless and universal. Various stringed and chamber music arrangements (as well as some piano, toypiano, harmonica,..), still stripped to the essence of expressions, help to give this compilation of songs a rich kind of development.

Most songs are sung bu Mi but there are duo songs too and some by L’Au.

Audio : "They Mary"(or here),"How","Philosopher", "I've been watching you","Bums"(or here),"Older", "Merry go round","Nude", "A Word in your belly"(or here), "Boxer", "Andy", "Christmas Soul", "New Born Child","Study"
(or here) or http://www.emusic.com/album/10879/10879599.html
Video : here
Info : http://www.younggodrecords.com/product.asp?P_ID=40
Other reviews : http://www.popmatters.com/music/reviews/m/miandlau-st2005.shtml
& http://blogcritics.org/archives/2005/11/07/144415.php
& http://www.brainwashed.com/index.php?option=com_content&task=view&id=3928&Itemid=1
& http://wwww.drownedinsound.com/release/view/6776
& http://www.theredalert.com/reviews/mi-and-lau.htm
& http://www.econoculture.com/m/index.php?option=com_content&task=view&id=159&Itemid=36     next album->
Borne! Records  Mi and L'Au : Good Morning Jokers (FI/F,2009)****

The duo Mi and L’Au have certain musical qualities they have used and expanded upon in their newest release. The male voice can sound a bit broken, uses a calm and sad singing and at times Cohen-esque qualities in timing, while the female voice is whispery thin, and very breathy, as if it had one cold too much to keep her voice entirely intact. Their voices in combination work perfectly, with its qualities that expand each other’s being. As separate voices in songs it is a good alternation, where the male voice as it saddest and the female voice the frailest, which luckily don’t appear some time too often, for its breathiness is never compensated in the colours of the instruments, and too much attention to it would tend to make it break apart in weakness of disappearing in the other elements to some extent. The arrangements are done with fine guitar pickings, occasionally in thumb piano rhythms, very simple piano, occasionally in walking rhythms, with some dramatically sad slightly, slowing orchestrations on violin and cello, with on top of this more nervously sad trumpet and flute, or with some harp with clarinet in a rather Western styled classical tradition of arrangements. Despite the dramatic sad tension and rather filmic descriptive focus it remains unclear where the drama is about in reality : it remains a bit vague. The combination of orchestrated songs, then more simple solo songs with variation in voices, the concept is really enjoyable, in a certain dense and darkened sense.

Info & audio : http://www.myspace.com/miandlauspace
Info & videos : http://cruisinforburgers.wordpress.com/2009/05/18/mi-and-lau-good-morning-jokers/
Label info : http://www.acuareladiscos.com/index.php?/en/noticias/mi_l_au_nuevo_disco_en_borne_recordings

Other reviews : http://www.tinymixtapes.com/Mi-and-L-au
& http://drownedinsound.com/releases/14473/reviews/4137195-
More links will be added later
Italian review : http://www.avantfolk.org/reviews/view/mi-and-lau-good-morning-jokers
Important Records      Mi and L'Au : If Beauty Is A Crime (FI/F,2012)****

Mi and L’Au changed the way of arranging their songs, not so much their way of creating songs, their voices or the acoustic feeling in them. However they completely arranged their songs with use of synthesizers, computers and drum machine. The effect gives more loneliness to it. They succeed to keep a certain spatial feeling of loneliness with it, not with a too straight and strict keyboard sound, although it is easy with these instruments to be reminded of some items from the late 80s, early nineties. What caused and sourced this inspiration is the movies the duo shared in memory since their childhood with scores that were arranged by the French composer François de Roubaix. Also this composer succeeded in combining the effect of synthesizers and drum machines into folk associations. Digging deeper into his music changed the shape of its own inspirations. There are neo-classical inspirations, small electro-pop associations with more ambient, moody and spatial effects, lonely Gothic elements, string, double bass and cello imitations and nice chosen sounds of synthesizers with their own character, with wah-wah or some other colourful inner shape, some toy piano and piano. With a deep breathy voice these songs become lonelier in its new musical environment. The dual vocal arrangements share some warmth but the surrounding space is colder, even though it gives similarly much of peace and quietness, with improvisational room for instrumentals. A nice, successful change. (Most songs are in English, just one song is in Finnish).

Video intro : http://www.youtube.com/watch?v=bUMD3U3VvGk
Label : http://importantrecords.com/

or go back to Finnish experimental folk reviews page 1 or reviews november 2011
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