the psych folk of
Nalle

CD (2008), CD (2005), CDR (2008), CD (2010)
->Stephanie Hladowski









click to see poster
Locust Music   Nalle : The Sirens Waves (UK,rec.2007,pub.2008)***°

Nalle is a Scottish trio consisting firstly of Hanna Tuulikki, on vocals, kantele, guitar, recorder, flute, harmonium, water, oscillator, moog, jaw harp, shruti box, singng bowl and birds. She has I asume (name) Finnish origins, and a singing which has something of Björk on meditation, but also produces weird effects borrowing elements with Japanese fantasies, or elsewhere vibrates her voice with sometimes weird sounds of (positively and only descriptively meant) sheep-like vibrations. Outside her song and theatrical expressiveness, she also brings with her, in mind, the better groups of intuitive folk of Finland. Second member Chris Hladowski also has a group called The Family Elan, and he plays bouzouki, big muff, clarinet, gimbri, oud, percussion, oscillator, shruti box, mbira, harmonium, hammered dulcimer, faw harp, singing bowl, phonograph. He brings the group easily to more Middle and Near Eastern flavours (amongst the already mentioned far-eastern, semi-Japanese fantasies). Third and last member, Aby Vulliamy, plays accordion, cello and viola. She provides with her instruments either a chamber-effect, or adds the right pitched harmonies cooperating with the intuitive moods. All three members came from a more improvised group Scatter, while Chris and Aby also play in The One Ensemble of Daniel Padden, amongst other projects.

The first two tracks contain much highly flowing ethereal intuitive folk, while the lead voice of Chris Tuulikki leads them through these landscapes of exotic strings, while the third track, “Voi Nuusuni” sounds more Japanese. “Secret of The Seven Sirens” sounds more like a medieval-flavoured folk song with minstrel beauty, celebrative and with a dance part with handclap rhythms, but also is somewhat exotic, (imagine it also being mixed with a witches' dance), and has some dreamier parts. “First Eden Sank to Grief” with meditative plucks and bows and bass tones, has vocal harmonies singing to a far distance situation, as if having some Byzantine period in a dream state remembrance.

The album was produced by John Cavanagh (Electroscope,Phosphene).
The band has already a next project in mind : a collaboration with the One Ensemble which will be mixed by Hans Joachim Irmler of Faust fame. This was the band’s second album, besides a limited cdr which is also just released..(review of 1st album below->, and of live cdr further below->).

Audio and info : http://www.myspace.com/nallemusic
Intro on Nalle : http://www.nialler9.com/blog/2006/10/09/nalle/
Label info : http://www.locustmusic.com/...
Previous label info : http://www.pickled-egg.co.uk/nalle.htm
First album : http://rateyourmusic.com/release/album/nalle/by_chance_upon_waking/
Limited CDR on http://www.secreteye.org/se/eyesecretions.html

The Family Elan is reviewed on http://psychedelicfolk.homestead.com/post-asiatic.html    first album->
Pickled Egg Rec.   Nalle : By Chance Upon Walking (UK,rec.2004-2005)****

This first album by Nalle is less dominated by what is a more confusing weirdness on the second album, and is much more a spinning around moods around the songs of Hanna Tuulikki, with no member dominating his/her own ideas on strangeness. Also Hanna’s expressions spin dream-like circles, with only a few strange vocal vibrations, while she sings stories and folk songs. The sweetly sung “Sea Change” with its soft touching picking strings and jew’s harp sound like a story told to children. The mood is only slightly weird, of which the strange harmonies of chord pickings are perfectly in balance mixed with more interweaving tonal harmonies, and also, there is as much of crystal melodic picking evolutions in what can be considered as more slumbering and droning moods. The viola plays a bit as if having the function of droning strings, like there used to be hurdy-gurdy or other instruments for this purpose. Especially “Iron’s Oath” provokes a mixture of something of a medieval mood, while it can also be Middle-Eastern flavoured/inspired, without much difference in essence. When the song is added to the first instrumental part in it, this song thoroughly becomes a dance. “New Roots”, in melody, sounds like a traditional English folk song, while the band is more droning a mood together. When the actual song breaks through, at the time when other singers come in, the mood becomes fairy-like and also this track begins to sound like a dance, a nature’s ode around a natural fountain, where weird and beautiful harmonies are mixed together in a way that this gives a magickal forest feeling, where the interwoven, natural and intuitive sounds are mixed with each other like weeds, branches and above all, grass. When only some voices linger on at the end of the track, this gives the feeling of “was it all but a dream?”; these voices hang around the scene like thoughts remembering something of a dream state of mind...

Audio : "Sunne Song", "Iron's Oath", "New Roots" (or see some WMFU broadcast)
Audio and info : http://www.myspace.com/nallemusic
Label info on http://www.pickled-egg.co.uk/nalle.htm
Other review : http://www.digitalisindustries.com/foxyd/reviews.php?which=1418
Dutch review : http://www.kindamuzik.net/recensie/nalle/by-chance-upon-walking    latest live album->
click to see live photo
Secret Eye   Nalle : Live (UK,rec.2006-2007,pub.2008)***°

Between March 2006 and July 2007 a few live recordings were done : at VPRO radio in Amsterdam (4 tracks), Radio 6 in Glasgow (track 2), at Dwars festival (related with the radioshow on VPRO) in Amsterdam (track 4), and, with a bit less perfect recording condition at le Barbizon by radio WNE, Paris (track 7). Like most live concerts there are no overdubs and also not even any effects used so that the band very much shows how they technically work, and of course how they perform their songs live.

On several of the tracks it sounds like the group makes a background of plucked (and bowed) stringed instruments which seems to tune in vaguely to song and vocal inspirations, first through building up an intuitive mood, then participating with the song which appears out of the mood, keeping the evolutions instrumentally open, vaguely dancing around the song, while mostly the song context leads, which is often with additional dual female vocal harmonies (or with one more additional male voice as well) (1-3). If there is a bit of tambourine the player keeps it simple, and keeps it close to the singer’s melodies and involved rhythms. Differently arranged is “Iron’s Oath” which sounds more like a medieval dance song. “Voi Nuusuni” I described before as being semi-Japanese. Now I am not so sure any more where its origin comes from, but it surely is a special song. It is indicated as a traditional, but I can’t tell for sure from where. The clarinet keeps close in harmony with the singer, while the electric guitar slowly drones its distortion as a texturing carpet for the singer. More plucked harmonies are added, with weird tonal harmonies, and some bowed string arrangements, all by weird sounding instruments. The last two tracks have English folk inspirations. Both tracks sounds like traditional songs, but seemingly only the last one is. “Birth of the bear” with vocal harmonies by each member pretty much has something of old English folk, before adding a psychedelic stoned-stretched out part with harmonium, slow distorted guitar, far-out feminine vocal harmonies, which basically improvises on a drone again. A very good folk interpretation is performed with “Soul Cakes”, with beautiful folk harmonies in an English a capella folk style (baritone, and female vocals), with a bit of tambourine between the parts.

A fine enjoyable release, which comes only as a numbered black cdr edition of 100.

Audio and info : http://www.myspace.com/nallemusic
Label info on http://www.secreteye.org/se/eyesecretions.html
Audio of live Broadcasts (VPRO,NL) of Nalle on http://www.vpro.nl/programma/dwars/artikelen/34267594/
& (WNE,F) on http://www.radiowne.org/Nalle
Alt.Vinyl Rec.   Nalle : Wilder Shores of Love -LP/CD- (UK,rec.2008-2009,pub.2010)****'

Sure, Nalle succeeded to develop their own, original style further. First of all you won't find easily a similar queer voice like the singer. She has made her expressions so that they become not just weird but a different world, varying from a near-eastern improvised singing, to bluesier territory and then slowly developing songs, while the band sometimes accompanies with similar temperament, slowly developing themes with acoustic and electrified guitar, bowed double bass, piano and drums and a few other instruments like harmonica, this holds the middle between improvised acid folk mood and psychedelic music with jazz improvisation skills. The fourth track used a few overtone vocal overdub combinations before changing the intro into a song. The 6th track adds some electric fuzz guitar too. A very good and rewarding album.

CD Limited to 1000 copies ; LP limited to 500 copies.

Audio and info : http://www.myspace.com/nallemusic
Intro on http://welcomehomecomein.blogspot.com/2010/07/wilder-shores-of-love.html
Info : http://wilder-shores-of-love.blogspot.com/2010/07/nalle-wilder-shores-of-love-cdlp-album.html
Label info on http://www.altvinyl.com/...
Other descriptions : http://www.normanrecords.com/..
& http://www.clear-spot.nl...
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