Russian psych/folk-rock/trance/ethno folk
Ole Lukkoye

rec.1989-1991->CD (2003), CD (2003), CD (2010)
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Ole Lukkoye in 1990
Exotica Ole Lukkoye : Zapara (RU,2003)***’

While “Dream of the wind” only had some textural descriptive vocals, Zapara has the song melody completely included, always carried by driving ethno-rhythmic trancerock rhythms. These melodic song influences might still have varied ethnical inspirations, including eastern & Middle Eastern, while the sound of the band has, beside a slowly moving trancerock effect, a post-wave flavour as well. The group kept its varied use of instruments, and also the singing has often still some kind of shamanistic story-telling touch. At first listen I couldn’t get much of a grip on this album, but after having heard the earlier album I appreciated this sound even more. A couple of tracks make much more moves towards an independent trancerock / ethno-indie-psychedelica with a semi-ritual-dance effect ; some of these use such rhythmic patterns in a bit more repetitive way, become even more wave/poprock (,like “Raven”) ; even there the ethnic elements remain part of the melodic inspiration. Last track, “Quran” definitely is an inspiration on the Brian Eno/David Byrn track with the same name. The rhythms and interpretation here are very varied, but still definitely with a typical Ole Lukkoye sound.

Info on Zapata : http://www.2012.spb.ru/Oley/discs/ZaparaCD.htm
Review of some albums : http://gnosis2000.net/reviews/olelukkoye.htm
http://www.psychedelic-music.net/pmdb/db3/db_band.php4?id=44
Lollipop ShopOle Lukkoye : Dream of the wind 1989-1991 (RU, re.2003)***°

This is the second release I have heard from this group. These are earlier recordings which are not easy to describe, because they don’t fall under any genre. There’s use of some fusion trumpet, synthesizers, there’s an underlying semi-ritual shamanistic feel in the way the music has been played. Some of it reminded me of what the Belgian band The Hybrids released. When I asked Hybryds group leader how he produced the music he said other bands played for him in the studio and he remixed it to his own sound, but I never saw any clarified credits on the albums. I always remembered this. This band sound as if it could be such a source, with an “undarkened”, so still clear sound, very filmic, full of ethnical trance-like rhythms and ideas. The complete variety of instruments and textured sounds are equally interwoven to lead the general sound. This makes the music a perfect astral-dream-like soundscape showing many visionary aspects. “Slow Fire” has a kind of Tuxedomoon like mood. All tracks some inspiration of ethnical sources, without ever showing its elements in a direct ethno-folk form. “China” adapted clearly a Chinese theme, which I think was repeated or had some variations throughout the album. Other inspirations I cannot clarify with specifications. A very enjoyable, recommended album with some mystic incense aspect.

Info : http://www.olelukkoye.de/deutsch/home/index.htm (from http://www.olelukkoye.ru/)& http://www.2012.spb.ru/Oley/ & http://www.multikultura.org/ole_lukkoye.htm & http://terra.pl/festiwalwkrajobrazie/lukkoye.html (with 2 sound fragments)
Info on “Dream of the Wind” : http://www.2012.spb.ru/Oley/discs/DotW.htm
with review : http://www.klangbad.de/oledream.htm
& http://aural-innovations.com/2003/september/lukkoye6.html
& (Russian CD) http://www.aural-innovations.com/issues/issue15/lukkoye2.html
& German review  : http://www.westzeit.de/rezensionen/?id=2301
& short soundfiles at http://www.alphamusik.com/6838838.html
or http://www.olelukkoye.ru/rus/discography/discography.htm
Info from German label : http://www.lollipopshop.de/artists/olelukkoye01.html
Contact label : henning kuepper
Discography with some soundfiles : http://www.olelukkoye.de/deutsch/home/discography/discography.htm
More complete discography : http://www.2012.spb.ru/Oley/discs/index.html
Trail     Ole Lukkoye : Petroglyphs (RU,re.2009,pub.2010)**°°

Ole Lukkoye's 9th album much more evolved to how they evolved in live performances of trance inducing moods with moving colours and shapes video screening projections over them. The music is a folk trance with electric bass and keyboards and more use of repetition, while the ethno-folk moods become more improvised taking elements of even native American styles of singing, old Russian folk and far eastern moods, with elements of improvisation with occasional sitar, zither, high note clarinets and ethnic singers. The range in colours of the use of instruments is dominated by rhythms, even with use of a song context, with a colourful range of sounds, and with use of some outros with more electronics. This works well and is moody but this is less convincing when continuing similarly and comparably for over 10 tracks.

Homepage : http://www.olelukkoye.ru/eng/indexeng.htm
with info : http://www.olelukkoye.ru/eng/discography/petroglyphs.htm
Label info with audio : http://www.trailrecords.net/
Other review : http://www.olelukkoye.ru/eng/publications/eurock1.htm
See also video clips on http://www.olelukkoye.ru/eng/discography/videos.htm