the avant-underground improvisational band of
Our Brother the Native

CD (2006), CD (2008), DIGI (2008)





















Fatcat Rec. Our Brother the Native : Tooth and Claw (US,2006)***'

There are many similarities to Animal Collective's crazyness and acoustic experimenting. I can find another hint to Cocorosie computer toy game sounds, and somewhere Devendra Banhart's odd voice comes to mind too. If this is deliberate inspiration or not, Our Brother the Native sound like very spontanuous inspiration and improvisation, and arranging. It is of course obvious how much the result on this album fits with several other Fatcat Records releases. There's a delicacy and sponaneity in the acoustic experiments and arrangements, done with some multilayers of several recording sessions. Only a bit of delay is used. Any of the primitive aspects of the first creative moments are overcome by all the work done on the tracks, so that it gives an impression of a finished product, no matter how vaguely the ideas might have been at first. Well done !

Audio : "apodiformes", "octopodidae" ; or with info on http://www.myspace.com/ourbrotherthenative
& http://www.purevolume.com/ourbrotherthenative
Label : http://www.fat-cat.co.uk
Review with three audio tracks : http://www.boomkat.com/item.cfm?id=22024
Other reviews : http://www.bbc.co.uk/dna/collective/A12466325
& http://stylusmagazine.com/reviews/our-brother-the-native/tooth-and-claw.htm
Interview : http://angryape.com/interviews/2006/06/our-brother-the-native
Their 2008 release is reviewed (originally on the prog/psych pages) next->
Fatcat Rec.Our Brother the Native : Make Amends for we are merely Vessels (US,2008)**°

With this young trio’s new release, they have made a rather consistent album, based upon a organic ambient moody tripiness, built with a fundament of stretched guitars mostly on the edge of feedback effects, and a bit of filmic ambience, with textures of piano or keyboards, but also with the re-appearances of certain choir-like of vocal arrangements, just like in contemporary / new music. The filmic passages evolve also to some parts with simple minor chords moods, played by guitar. Within this evolving structure, rather emotional moods swell, with two sorts of voices that occur like other instruments : one is sad, as being one with the minor chords, while the other voice shows aggressive throat screaming emotions usually closer to forms of expression in metal or trash, but moodier and with inner needs for certain emotional expressions, while they are dissolved into the background of its stretched landscape. Some of the harmonic choir choruses accompany some of these appearances as well, while bringing these individual cries to a bigger group’s sound context, as one social entity.

Our Brother The Native is John Michael Foss (guitar, drums/percussion, piano, bass), Joshua Bertram (guitar, bowed banjo, sounds/samples, synth, vocals ) and Chaz Knapp (piano, guitar, bass) with guest Kayleen Nilsson on viola.

Audio : http://www.myspace.com/ourbrotherthenative
Label info : http://fat-cat.co.uk/fatcat/release.php?id=243
Info on : http://www.thespacelab.tv/...
& http://www.chartattack.com/damn/2008/01/2308.cfm
& http://strangeglue.com/our-brother-the-native-prepare-new-lp/3185/
& on http://iprefertheobscureremix.wordpress.com/
& http://angryape.com/artists/our-brother-the-native
Fat-Cat Rec.    Our Brother The Native : Parting Marrows -mp3- (US,2008)****

Our Brother The Native, for me, with each release sound different. Even when this is, sadly, an official MP3 only release, it has all the qualities that should have found a bit more materialised form than this. It is really perfectly produced because there is a sound collage involved that can be complex at times, -while it rarely finds a result like this, that it keeps a very clear sound with it-, as if various locations, events and recordings all flew together into and before one event and expression or composition, the sometimes sad, sometimes happy for the communal cooperation song expressions led in this music. One background layer, a touch of the exotic, comes from ethnical sources, voices from the past that, like the front cover seems to say, are carried along the elephant, along with the separately recorded children choir and school days environmental voices and glockenspiel rambling loops, while the band members also vibrantly sing and play along with. The droning harmonium and piano sounds sad, while the shakers, handclaps and percussions with the singing are much more celebrative.

Audio : "Parting marrows"
Videos on http://www.youtube.com/... or http://www.thespacelab.tv/...
Label info : http://fat-cat.co.uk/fatcat/release.php?id=274
Homepage : http://www.obtn.biz/ & with audio : http://www.myspace.com/ourbrotherthenative
Other reviews : http://www.themilkfactory.co.uk/st/2008/10/our-brother-the-native-parting-marrows-fat-cat-records/
& http://www.thetripwire.com/news/2008/9/25/new-music-thursdays-our-brother-the-native-parting-marrows/
& http://www.thelineofbestfit.com/2008/11/our-brother-the-native-parting-marrows-ep/
Interview : http://www.cmumusicnetwork.co.uk/ssq/ourbrotherthenative.html

go back to review page 15
or prog page 11c
or to psychfolkpop review 7
to the psychfolk overview page
to the general page