Russian progressive/acid/chamber/folk-rock
Rada & Ternovnik

CD? (1999), CDR? (1999), CD (2000), CD (2001), CD (2002), CDR (2003), CD (2005)











Raznotravie : Katorga
Ur-Realist          Rada & Ternovnik : ... / Cold Seasons (RU,2000)**°°'
airplay : Tr.3,   "Covhije 3a Vyhon" 3 min, Tr.12, "Korya Dyat Temvo" 3 min, Tr.14, "Ha Yxadax" 12 min 18

With this release the band still a bit more a quiet dark (folk)rock band with alternative touches and various other style influences. With two very powerful moments, like these first two tracks. Last "prog" rock track is with emotional voice and nice improvisational energy. Especially these three tracks are fantastic !

More soundfiles : http://www.zvuki.ru/M/P/12513
Rada
Ur-RealistRada & Ternovnik : Kniga o Gestokosti Genshin (RU,2001)****°
          (=The book of the cruelty of woman)
airplay : Tr.1,"Nebasnyi Gorod"/"Heaven City" 2 min, Tr.2,"Kodga Budet Teplo"/ "When will it be warm" 4 min
Tr.3,"Igrushechechnye Sny"/"Toy Dreams" 7 min, Tr.9, "I vremya Vyggenoe Vsluh"/ "And time burned aloud" 3 min
Tr.10, "Chto Tam Za Vorotami" / "What's beyond the gates ?" fragment 8 min 24

The best release I know so far, with great dynamism. The skilful tabla and very inventive violin with some harmonium gives it an Indian touch. With heavenly female voice & acoustic guitar. Also the voice is more emotional compared to their other releases. At the second track it's even a bit operatic. The tenth track has some great progressive movements with a hypnotic repetitive rhythm. Highly recommended progressive folk !
The theme is about the eastern image of such a perfect beauty, like with sirens, it hurts. It's in the same way about a world beyond reach, and with this kind of energy put into it.

More soundfiles : http://www.zvuki.ru/M/P/22162 & http://x-rec.com/main/ambient/rada.htm
Prikosnovenie      Rada & Ternovnik : Salamandra (RU,2002)***°
airplay : Tr.1, "Wearing mouse's coat" 4 min, Tr.2, "Over there three roads cross" 4 min, Tr.11,"Deceptions" 3 min 11

Songs with beautiful female vocals and very nice arrangements of acoustic guitar, cello, tabla, clarinet, oboe. Some of the albums of the group are different in style. This is a very good album in arranged contemporary folk style. "And the time will come" is completely orchestrated.

Info : http://rada.rinet.ru/Rada-eng.html Russian : http://rada.rinet.ru/ Band contact : rada@rinet.ru
Reviews in English of Prikosnovenie label : http://membres.lycos.fr/prikos/groupes/radak.html
Reviews in English of other albums : http://rwcdax.here.ru/DIST/eng/reviews/reviews.htm#R&T3
Other page (in English) with nice picture & reviews : http://www.music.gothic.ru/russian/rada_e.htm
A few translated texts : http://www.zhurnal.ru:8085/music/Rada/Rada-lyr-eng.html
Label Ur-Realist page : http://imperium.lenin.ru/UR-REALIST/index-eng.html
MP3 : http://rada.rinet.ru/mp3_eng.html Latest album soundfiles : http://www.zvuki.ru/M/P/23406
Ur-Realist Rada & Ternovnik (= Rada & the Blackthorn) : The Russian Epos (RU,1999)**'
possible airplay : tr.7

This album is still far away from folkrock associations and instrumental inspirations. The band plays in a bluesy/jazzy and rock way and shows little more than stylistic improvisation, but accompanies of course well and in an enjoyable way, like smooth rock, the songs from the lead singer. Here the songs count most. For a whole album when not understanding the language it is clear for foreigners, it is not essential. I assume this is recorded live.

Ur-Realist Rada & Ternovnik : My Love My Sorrow (RU,1999)*

For this release the singer's voice is slightly distorted. The band plays mostly with slow bass movements and repetitions, with a dark indierock brooding nature, with small arrangements of electronic beats and drums. Also here is little variation, and the singing not always equally rewarding. The track "Everything returns" is with pipes and acoustic guitar, and additional beats, but also here the singing has contradictory movements and notes. Listening to the whole album was difficult, and more of a misery.
demo Rada & Ternovnik : 2003 (RU,2003)**°°
possible airplay : tr.2, 4, 6-7, 11

This demo was send to me to show the group’s sound as it is today, to know what to expect for eventual live concerts in countries like Belgium. In 2003 it still seemed rather difficult to get people warm for original Russian folk out of the polka ballroom context, especially when also the "folk" genre seems to be crossed widely and more so for the live concerts of Rada & Ternovnik. I thought at first Rada would still fit into a folkrock context, but this live act surely proves it doesn't.

It is even more difficult to get some group to another country, when knowing a style doesn't fit any category too well, while people prefer to have an acceptable context to organize something in. In general, also, songs in another language are obviously impossible to understand, except when they are also explored from a musical creative level, which is universal. The accompaniments on the first five tracks on this live act have more recognisable style references, with little musical invention. If, like with a group singing in a foreign language, we fall back on music alone, and then we hear a music approach which we also have heard many times before, I guess it is not enough. Thoroughly however, the music is getting more and more interesting. The first five tracks are rather emotionally driven, and drift along with a calm rock band improvisation. It sounds more matured since the 1999 'Russion Epos' album I just heard, but fundamentally, until here, is little different in the approach. On the 6th track, "Inter", however the band improvises moodyly and heavily with guitars, in an almost psychedelic way for 5 full minutes, which is nice to hear. Also the track after that, another song stretched to over 5 minutes is more progressive. I assume some of these following tracks are live versions from albums I described before on the first Russian review page, which showed also more universal creativity. From here on, the music keeps all attention vivid, there is beautiful vocal variation, and the emotions drift along with the band. The 12th track, "You shall dance" is a more bluesy improvisation, with some vocal and also electric guitar improvisation. The last track is even stretched to over 12 minutes, with plenty of place for improvising with voice and electric guitars, but without finding much more variation in that time.

According to the website live Rada is only a three piece : Rada : vocal, lyrics, acoustic guitar, vargan ; Vladimir Anchevsky :guitar, notebook ; Igor Chernykh : bass guitar.
Ur-Realist   Rada & Ternovnik : Genitba (RU,2005)***°
possible airplay : tr.4, (7), (13)

A certain theme is repeated over the album, which are various ethno-folk styled harmony vocal arrangements and songs, I only don’t know from which tradition and origin or region, with original songs build around it, and this accompanied by amplified guitar, drum and percussion. There are also parts in their recognisable live style in optimal condition, with smooth droning electric bass, calm drumming, psychedelic electric guitars contrasting and accompanying the soprano songs. In that way the band switches from ethnofolk introductions to songs with touches of a style that has relations with (very) smooth psychedelica. The 11th track is more heavy rock guitar on folkrock. The last track embeds the ethno-folk voices in a smooth repetitive moody pattern by the band.

Alexander : "The ethno motives on Rada's "Genitba" are russian folk songs from different parts of Russia (mainly from  European parts). There appeared on the album a full ethno folk vocal ensemble "Yasny den" (Bright day). Some songs are russian folk songs, some others are composed by Rada."

Homepage : http://radislava.com/ & http://www.radislava.ru/ with audio : http://www.radislava.ru/?page=music
& with more audio : http://www.myspace.com/theblackthornband 
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