the psych/folk/pop/rock  of
Alec K.Redfearn & The Eyesores

CD (2003), CD (2005), CD (2006), CD (2007)











Orleone Rec.   Alec K.Redfearn & The Eyesores : Every Man for himself & God Against all (US,2003)****°

A year ago I heard the first Eyesores CD, "Bent at the Waist" which I thought was good (**°), but it was difficult for me to get a grip of it, no matter how many times I listened. A year later Margie from Fern Knight asked me if she could visit the radioshow again (she was guest a year before, with The Iditarod), this time with Alec K. Redfearn & The Eyshores, and since I really liked her own  demo a lot, I only gladly accepted, although I had no idea what to expect from The Eyeshores. Now, I am really glad I did, because the performance of the group was brilliant. When Alec K.Redfearn handed me over his 4-track demo for his future release, I was even more surprised. Their sound had indeed blossomed, and the recordings as well. Now when I hear the full CD I cannot but praise they have done. Not only on the Fern Knight project, but also this splendid release, where they have succeeded beyond all expectations. There's lots of dynamism, the music works as chamber music, holding the middle between various 'acoustic rock' genres, as a kind of beautiful mostly acoustic urban Rock In Opposition / Chamber Music style with a very subtle and very individual folk influence. The experimentations giving an inspired colouring are marvelous, in the brass section, in the driving accordion sound, with its precise rhythms, etc. Being song based, the music is highly acceptible and accessible while the band can permit itself subtle madness as precise and wel balanced as in classical music,yet still spontanuous. The dual voice of Alec and Margie is captivating too. The quiet parts are also perfectly filmic and descriptive. Textually the music also works somewhat conceptually. A certain cynicism towards psychological tricks in politics and prejudging views in general might be some source of inspiration. Highly recommended.

Audiofiles : "Black Tar And White Slavery", "Mole"(or here), "Nail / Total Eclipse Of The Head"
Info on Alec K. Redfearn : http://www.aleckredfearn.com/
Older soundfiles : http://www.lotsofnoise.com/bands/...
Info : www.alecredfearn.com
Label entry : http://www.corleonerecords.com/eyesores.html  E-mail : info@corleonerecords.com
Other review : http://www.splendidezine.com/review.html?reviewid=10929954151000858
German review : http://www.tonspion.de/mp3.php?id=2936
Review of earlier release : http://www.popmatters.com/music/reviews/e/eyesores-bent.shtml

PS. A sideproject of Eyeshores is Barnacled, more experimental & free improvisations.
Cuneiform Rec.  Alec K.Redfearn & The Eyesores : The Quiet Room (US,2005)****'

This Providence band have developed even further their chamber music post-rock (or call it neo-chamber rock) sound. The group continues their ideas of their previous and third album, (which was reviewed on next page). Only now the band is bigger :

Alec K.Redfearn plays here amplified and non-amplified accordion, Hammond B3 organ, jews harps, alarm clock, paper cutter, telephone, piano, bowed cymbals and sings ; Margie Wienk plays string bass and sings ; Alec Thibodeau plays guitar ; Anne Schattle plays horn in F ; Matt McLaren plays drum kit, hand cymbals ; Chris Saraullo plays floor tom, glockenspiel, cowbell, maracas, tambourine ; Jason McGill plays alto sax, brake ; Frank Difficult plays analog and digital recordings, handheld tape recorder. Guests are Sara Stalnaler for cello and Matt Everett on one tracks, and Sarah on one more track.

Like a avant-rock "marching"-chamber-band their energy is simply captivating. It is not really like rock-cabaret but musically a lot happens. "Punjabi/Watery Grave” is especially hypnotic. This track is again (-I mentioned this reference a few times before on other releases-) based upon this hypnotic one note rhythm that could be heard on an Indian hit earlier this year (-a Punjabi rhythm-). Perhaps the most brilliant track on the album, amongst others. There's also one Bulgarian interpretation in their own distinctive style.

A splendid, highly recommended release. Perfect from beginning to end.

Homepage : http://www.aleckredfearn.com/
Label info : http://www.cuneiformrecords.com/bandshtml/redfearn.html
German review : http://www.babyblaue-seiten.de/...
North East Indie Rec.  Alec K.Redfearn & The Eyesores : : The Smother Party (US,2006)*****

Partly driven by waltz accordion, this is rhythmically haunted music of powerful chamber music rock with beautiful vocal harmonies, with elements of jabberwocky future folk, manically controlled and brilliantly performed.

"Litany" has a free form more experimental part which is an equally surprising and horrifying experience with the ever lasting rhythmic hooks in the flesh.
Last track goes terrorizingly electric.

Their best release so far !!

PS. Several members now also are part of a theatre circus chamber music rock group called The Beat Circus. (Review of their 2008 release here)

Homepage : http://www.aleckredfearn.com/
Audio : http://www.myspace.com/aleckredfearnandtheeyesores
Label : http://www.northeastindie.com/home.htm
Interview : http://www.splendidezine.com/features/redfearn/
Cuneiform Rec.  Alec K.Redfearn & The Eyesores : The Blind Spot (US,2007)****

This is the most concept-based project of the group. It is intended as a eulogy for several friends of Alec who died of drug abuse, and a meditation on his own abuse in former days, about the blind spot as a matter of speaking.
The songs are arranged at first like a beautiful arranged street theatre concept, with the accordion leading the compositions (but not leading the arrangements) often giving a circus/fair-ground like effect. The energy builds up as tensions, becoming nervous tensions, a symbol of uneasy moments, typical for youngsters who want a special moment and therefore invent 'the weird condition', a situation which here is controlled by the composer and who is in this case dealing with the dangers of the border-expanding uneasy factor itself, and who is, now, able to restore with structure his life’s composition.

The operatic voices (which include a real soprano voice) add extra drama as well as comfort and support giving this a social accompanied context to the content. Here and there strange electronic (or not) sounds attaches certain moments. One of the strangest instruments used is a drone-hurdy-gurdy, developed for Steve Jobe’s opera ‘Jean D’Arc’ (1993), and a gong-drum, one of a series of instruments inspired by the painting ‘Garden of Earthly delight’ by Hieronymus Bosch (or at least the right panel of it, showing many musical instruments, with of course hell provoking instruments like hurdy-gurdy and bagpipes, which used alone can sound terrible).

Audio : "Queen of the wires" & http://www.myspace.com/aleckredfearnandtheeyesores
Homepage : http://www.aleckredfearn.com/
Label info : http://www.cuneiformrecords.com/press/redfearn-blind-spot-pr.doc
Other reviews : http://dustedmagazine.com/reviews/3707
& http://www.thefrontlinez.com/nad/store/artist/album/0,,4100723,00.html
& http://www.waysidemusic.com/ProductInfo.aspx?productid=RUNE%20244
& http://www.mandai.be/info.php?id_mandai=50276
Label info : http://www.cuneiformrecords.com/bandshtml/redfearn.html
Interview : http://www.exclaim.ca/musicreviews/destinationout.aspx?csid1=112
German review on http://www.babyblaue-seiten.de/...
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