experimenting /progressive sounds of
The Red Masque

CDR (?) (2002), CDR (?) (2001), CD (2004)
Big Balloon MusicThe Red Masque : Victoria and the Haruspex (UK?,2002)****°

Not more than once a year or in a few years am I confronted with a release about which I immediately say : wow, what a monster, this definitely is a classic on its own, a must to hear. This is such a release.

There are not many music examples with basically an acoustic character combined with an avant garde open structure. (Recently the 'Hirsche Nicht Aus Sofa' releases (from the eighties) have been reissued, with "Küttel Im Frost" and also "Melchior" as highlights).

This CD starts very experimentally, covering all kinds of genres listed in the famous Steven Stapelton list of collectors items that crosses musical borders (with hints to Saint Just, Opus Avantra,..), without being just avant garde. Instead this is a highly listenable / enjoyable release. This first track, "Haruspex" is structured in an improvisational manner and should interest Steven Stapelton for sure. This might not be the easiest / most accessible way to start a CD but still is tremendous (with its contributing el.guitars, organ, female voice,..) and beautiful all 25 minutes.

After this track the music changes into more easily recognisable structured music. "Birdbrain" with organ, very up driving rhythms, electric guitar outbursts, heavy female progressive rock voice (hints to Julian's Treatment and the likes), is a track that gives me shivers all over my back. This is mindexpanding and ''kundalini' stimulating music with beautifully varied, quiet passages, recalling all my favourite 70's prog groups (Saint Just indeed, but with a voice with power). "Afterloss" starts wonderfully and harmoniously with acoustic guitars / harp fingerpickings, with addition of the heavenly powervocals of Lyniette Shelly, accompanied by flamenco like acoustic rhythm guitars / more fingerpicking and harp. Also the melodies / workouts are speaking very much to the heart, in a way like flamenco does. "Cenopath" is a very beautiful harp track (dedicated to a member (Nathan-Andrew Dewin)'s brother Alan).

A must be heard release. Unmissable in any open minded progressive music collection.

Remarks at the radioshow :
"An unknown classic of progressive / Psychedelic, + some not difficult to appreciate free but harmonic improvisations, still in balance with what can be carried from a heart's expression, and music with an acoustic foundation. Best item from 2002 ! Possibly not influenced by 70's classic avant garde progressive items (Saint Just,..) but with the same quality of music as result. Singing mood also reminiscent at Siouxie and The Banshees' "Join Hands" period, but somehow more refined, with wider ranged expression and instrumentation."

Audio : "Haruspex" Webpage : http://www.theredmasque.com/
Contact group : theredmasque@yahoo.com label : service@bigballoonmusic.com
Other review : http://orion.venco.com.pl/~caladan/erecenzje_sc.php?id=15
(Available through European label/distributor Musea Records (www.musearecords.com) and through American distributor ZNR CDS (www.znrcds.com). In addition, the band has tentative plans to go into the studio this spring to record a new album. Big Balloon Music (www.bigballoonmusic.com) is currently talking with the band about possible label support for this new album. )
Big Balloon Music       The Red Masque : Death of (EP) (US,2001)***°

Imagine a 70's progressive group, having experienced the eighties too, with a female vocalist singing now a bit more like Siouxie on "Join Hands", expanding their territory with an avant garde open structure, ever evolving and improvising, the songstructure keeping it together, with electric guitars and drums and voice building up tensions, with avant garde piano. That's how I describe the first track, "Tidal". On the next track the organ is playing a destructive counter-part to the electric guitars outburst, and the electric guitars play in a cosmic music mode in an infinite matter. The drums play at first free jazz like which fits perfectly. A 'Krautrock' like experience. Psychedelic "out"worldly. The third track brings back to earth with a "song", "Moon Falls", with hard prog rock guitars influences, theatrical church organ, and quiet passages, in a mood like some better classico-metal releases had (it remind me especially at the Greek metal band 'En Garde', but who will remember them ?), but then in a progressive improvisation mode and not with a metal edge.

I am wondering if the voice has some tendency towards being just on the edge of singing out of tune, still giving it an even more odd  character. This release is more 'avant garde' compared with the second release. It's good, but the second release has improved and matured with an even more structured sound. I suggest to start with that release first.

Latest album is reviewed at http://progressive.homestead.com/prog8.html#anchor_106
Big Balloon Music       The Red Masque : Feathers for Flesh (US,2004)***°

This Red Masque release heads much more for a theatrical astral-dark concept-piece, more than based upon an experimental musical improvisation and compositional trip, like it worked like this before. After a brooding entry with some Magma-esque, semi-contemporary, avant-rock, (art-rock), and progressive elements in parts, the music will then move the listener completely into the 'theatrical' concept, much more than the musical inspirations, which for me, having drawn me into it so much, could have easily lasted for 2 hours at least, but then suddenly seemed to have finished after almost 55 minutes.

Audio on http://www.cdbaby.com/cd/redmasque
Info : http://www.theredmasque.com/ with this release : http://www.theredmasque.com/Feathers_For_Flesh_CD.html
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