Mellow Candle->Flibberdigibbett->Eishtlinn->

folk-rock related music reviews presents
Alison O'Donnell

CD (2006), CD (2008), single (2008), CD (2010), LP (2012)

OsmosysAlison O'Donnell & Isabel Ní Chuireáin :
  Mise Agus Ise / Myself and Herself (UK/B,2006)

Rooted in contacts with the public hankering for the family-herd-replacing folk cafés from Belgium to Dublin, Allison searched for her roots in her homeland, confirming some, at a few times teasing Irish traditions, but also added some personal renewal. There’s a varied result, with some self-arranged independency, partly based upon common-typed traditional styles. Even when following the obvious in a nice recognisable way, Allison also shows some matured ideas in her voice performance, and tried a few different things. The reggae like rhythm on “hangover from hell” is sung with deliberate strange, and within the rhythm melodic-contradictorily harmonies, based upon folk. Also “In the web” shows a matured singing, something which I can’t think she would have tried when she was younger. The most successful track I think is “Mother of Pearl” a longer track, using a smooth jazz rhythm. Alison’s voice here shows she is also capable of going into a new, more jazz direction. 
PS. Two original Mellow Candle members participated: Dave Williams and Frank Boylan.

Features : Frank Boylan & Dave Williams (both former Mellow Candle members), Denise Boyle, Al Cowan, Martin Crossin, Jimmy Faulkner, Brian Fleming, Andy Laking, Philip Masure, Dave McCune, Isabel Ni Chuireain, Alison O'Donnell, Sean Whelan.

Audio : "The Blackcap", "The Talk of the arcade" & on http://www.myspace.com/alisonodonnell
Other reviews : http://www.terranovamusic.com/...
& http://www.freakemporium.com/site/release/ALCD236/releasepage.html
& http://www.pvcw.freeserve.co.uk/efnshop/OSMOCD033.htm
Article : http://www.tradmusic.com/groupinfoa.asp?groupID=2143
Homepage : http://www.alisonodonnell.com/
Alison between 1980-1983.
Photograph by South African photographer Rodney Barnett (+2000), and the by Glen Lambrecht.

Static Caravan     The Owl Service and Alison O'Donnell : The Fabric Of Folk (IR/UK,2008)**°

After two promising limited cdr only albums, it’s good to see how The Owl Service joined forces with Alison O’Donnell of former Mellow Candle’s fame for this EP. The band was almost too careful and respectful for the opener, a song led by Alison’s (dual) vocals, with droning sitars and pipes, a dark goodbye. The two following traditionals are more in the British story-telling tradition than refocusing its underlying experiences, so that they are a bit easy going, while bringing in just some small flavours that bring them into a new area. The fourth track is a sweet and subtle lullaby-like instrumental break revealing the Owl Service’s slightly vulnerable approach before revealing it’s needed conditions. “The fabric of life” is a strong to end with honest song about experiencing life, and is musically slightly nostalgic flavoured. Such a small EP sounds more like a small starting point that hides more for Owl Service’s restrained approach.

A limited edition of 1000 copies with a cardfold package as a sort of mini-LP sized digipack.

Label info : http://www.staticcaravan.org/item.asp?Ref=142
or info on http://www.midwich-cuckoos.co.uk/shop.html
Homepage of Allison : http://www.alisonodonnell.com/ & http://www.myspace.com/alisonodonnell 
More Alison O'Donnell related releases on http://psychedelicfolk.com/MELLOWCANDLE.html
Interview with Owl Service : http://www.subba-cultcha.com/article_feature.php?id=5604

Previous Owl Service albums here
Bracken Rec.The Owl Service and Alison O'Donnell : Day Is Done / Frozen Warnings (UK,2008)****

The 'Fruits De Mer' section of Bracken records asked several promising artists to interpret some of the classics outside mainstream pop, for their series. “Day is Done” (Nick Drake) and “Frozen Warnings” (Nico) are amongst such well known classics, which Alison remarkably interprets perfectly, with a deep feeling for the songs and with a convincing voice as well as with perfectly suiting arrangements. “Day is Done” is arranged with acoustic and amplified guitar with a bass drum-like bass, and with some electrified violin mixed into the background, and with some vocal overdubs near the end. It almost became like a new classic, and with a stronger voice than ever. Also “Frozen Warnings” is well interpreted, and translates perfectly John Cale’s arrangements into wave-oscillating guitar, and it is with a deeper hidden underlying folk rhythm on different acoustic instruments. This is absolutely successful as well. The beautiful front cover was designed by psychfolk artist Aritomo. (I will review his own single soon. A reissue of his first album you can expected soon as well).

Audio : "Day Is Done", "Frozen Warnings"
Label info : http://www.brackenrecords.com/p26.html & http://www.myspace.com/fdmer
Homepage of Allison : http://www.alisonodonnell.com/ & http://www.myspace.com/alisonodonnell 
Other review : http://www.toxicpete.co.uk/alisonodonnell.html
next album ->
Freeworld/Floating World Rec.  Alison O'Donnell : Hey Hey Hippy Witch (UK,rec.2006-2007,pub.2010)***

Allison O’Donnel (formerly known from her Mellow Candle years) has had a busy musical life during the past few years. Since 2006 she has appeared with bands in the UK, US and Ireland. Some of the dawn of these travels and meeting points, contributions and collaborations can be sensed on this album. I need to mention for instance Gavin Prior and Dave Colohan on track 4 (both musicians are from Untited Bible Studies, with whom she’s preparing a full album now, in cooperation with Jozef Van Wissem to be entitled ‘Downland’), Steven Collins (Owl Service) on track 3, with whom she did record a mini album and a single before and will continue to participate on their next album, but also Kevin Scott (Mr.Pine), on track 2, with whom she recorded one (other) Mellow Candle styled song before, Graem Lockett (Head South By Weaving) on track 1, with whom she will do a full album in near future, Michael Tyack and Will Summers of Circulus on track 7, 11, with whom she recorded one single before, and two tracks with Margaret Ayres (or Margie Wienk from Fern Knight) to name just a few names.

With so many experiences and meeting points it became so that the album really has a wide range of diversity, while it still hangs together well. Also, Alison’s voice has a nice range of singing, which suits the song inspirations well. There’s first of all the Irish influence, which hangs in some tracks, like a shining mist of inspiration, a flavour which changes shape and flows away from its area to something else, sometimes folk-rock, but definitely always with a contemporary vision (there’s a lovely vocal cooperation too with Dave Colohan on track 4, or just check the strange contemporary vision on track 7 with Isabel Ní Chuireáin and Margaret Ayre/Margie Weink). A few tracks even have some Indian flavours, (with use of tempura, tabla, harmonium,..) of which I very much like the mood provoked by harmonium (again by Margie Weink) and voice (Alison) (11). A few more progressive touches are provided too, like by United Bible Studies (4) or people like Gavin Prior (6) or Michael Tyack (Circulus) (9). The melodic and mood range is pretty varied too, and the album even ends with a happier note. Lyrically the songs sound like poetry, literature or involved with things that happened in the world, or that have some roots in the richness of Anglo-Saxon culture . A great album which might take a few listens, but there are many layers of information and inspiration that guides a varied listening.

Other bands Allison has worked with the last few years were Moonroot (US), Agitated Radio Pilot (IR), Colin Harper and the Field Mouse Conspiracy (North Ireland, UK), and just recently has recorded her voice on three tracks for the doom metal band Cathedral (?!).

Info & audio : http://www.myspace.com/alisonodonnell
Info : http://www.alisonodonnell.com/disco.html & http://www.indiscreetpr.com/pressreleases.htm#1
Label info : http://www.floatingworldrecords.co.uk/albums/hey-hey-hippy-witch/
Other review : http://www.music-news.com/... & http://www.efirenet.com/...

->More Alison O'Donnell related releases on http://psychedelicfolk.com/MELLOWCANDLE.html
Alision also sang on one track of Mr.Pine. See review here
Ritual Echo Rec.  Head South/Weaving & Alison O'Donnell : The Execution of Frederick Baker (UK,2012)***

As a singer, Alison remains convincing and so are her vocal arrangements as well. The band who accompanies her, acts more like a shoegaze live support band, and they remain in this position most of the time, never to surprise, never really being creative, even a bit dark in that nature, then they head with the folk-like story more into a folk-rock direction. The concept is still a bit unclear to me, I expected a bit more from the band I guess, but they probably just can only be in that position, like a modern world city band with hardly the time to think twice on anything. I like this idea of a modern folkrock album with Alison in the lead, but the effect remains shoegazing so that in the end one hardly hears the story, it passes by like another television show. I am still not sure what to really make of all it’s qualities.

Label info: http://ritualechorecords.com/?p=372
Description: http://www.shinybeast.nl/...
Other review: http://www.therocktologist.com/...
& http://happeningmagazine.blogspot.co.uk/2012/12/record-review-head-south-by-weaving.html

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