the guitar music / minimalisms of
Eric Carbonara

MCDR (2007), CD (2008), LP/CD (2010) ; in duo with Jesse Sparhawk : CD (2011)









New American Folk Hero  Eric Carbonara : 3-track EP (US,2007)***

Eric Carbonara clearly experiments with minimalist ideas by using multi-track possibilities, as if experimenting with the device itself with the inevitability of a concentration on the idea of it, forming with improvisation its compositions along with the experiment of the multi-tracking itself. While perhaps, this might have been something relatively new for him, this way, the first track, “This May be the end” sounds layered a little too linear, with a portion of chaos in the harmonies as if build slightly amateur-like, and without a formal plan. We hear layers of minimalist repetitions of acoustic guitars and bass, which are mixed with one-note repetitions on piano, some extra sounds, and keyboard-like amplified guitar arrangements. This has surely a certain amateurish charm but has not yet a well developed composer’s direction. The second part of it mixes in with keyboard based layers, which are more in harmony combined and interwoven, while a bass rhythm remains, amplified guitar lingers on and a bit random glockenspiel adds a few accents. This sounds harmonically one step more interesting, even though it still is a bit rough and taken as it is, without reconsiderations, recorded rather straight-forwardly as an idea. This ends a bit abruptly without having led to anywhere, outside its, -I must admit-, rather interesting minimalist-repetitive harmony pattern. The second track is recorded from divided acoustic guitar pickings into a multi-tracked recording as if Eric is playing and improvising, forming a composition with his own previously recorded parts, adding new similar patterns and notes while listening, creating like this an odd idea of a stereo-in-time-schedules effect with its separate sections of notes. This is an interesting idea, but also this track ends without a real conclusion, as similar as it started. Could be promising, with further development of such ideas.

Catalogue : http://www.musicfellowship.com/catalog.html
& http://www.tomentosarecords.com/newamericanfolkhero.html
Homepage : http://www.ericcarbonara.org
& with audio : http://www.myspace.com/ericcarbonara
Locust MusicEric Carbonara : Exodus (US,2008)****

After having heard a contemporary thoughtful minimal piece by this composer, I did not expect yet he also had a vision as guitar composer/improviser. Eric’s exodus brings in mind some movements of whole crowds of people through history. In guitar history, it is most easy to think about the gypsy trail to Spain, while in fact we ourselves come from many origins and influences, a portion of our history and developed mind and culture is from people who simply stayed home and developed and cared for all from there. Eric’s inner voice trail is also a mixture with that. While the first track, “the apparition”, is a sporadic Roman-flamenco meditation, and the first vision, “naked Jane” is slightly sad with a reference to some past (adapting almost invisibly a few raga-slides for such a possible small side-reference), most of his explorations are like melodic meditations with a great inner peace, as if looking down from a window to a nice looking landscape outside, concluding that he must be glad to have settled down where he is (noticeable on “lullaby for a setting sun”), with some sort of dedication-blues to the past (“dead trees in the life of speed”), which speeds up once more to a rambling raga, but still ends with a musical theme that much more expresses a feeling of contentment. “By the sound of your voice..” that voice is the voice of ‘Home’. The last track dances one more time more quickly, like a celebrative dance. His home for the soul expression is different in essence from the flamenco : it has all the space around him which he needs and which he can fill up further with purified meditations of discovering how to be happy..

Audio : "Lullaby For A Setting Sun"
Homepage : http://www.ericcarbonara.org/
& with audio : http://www.myspace.com/ericcarbonara
Label info on artist : http://www.locustmusic.com/...9
Label description : http://www.locustmusic.com/...
Other reviews (with audio) : http://www.dustedmagazine.com/reviews/4382
& http://www.thrilljockey.com/catalog/?id=102483
VHF Rec./Revolver           Jesse Sparhawk & Eric Carbonara : Sixty Strings (US,2011)****

I saw harpist Jesse Sparhawk appear on various releases (Fern Knight, The Valerie Project, Timesbold, Marissa Nadler, Espers, Greg Weeks). This is the first album where I see a more fronted appearance. Jesse Sparhawk plays a Lever harp, Eric Carbonara plays the Indian 22/24 string guitar called the upright Chaturangui. On the second track there’s some additional snare drum by Julius Masri.

On the first track, “A Patient Promise”, Jesse and Eric play like one entity, developing the from a silent water with a calm tampura drone, the raga together, like the two rhythms of a shore’s waters.  From arpeggio’s to lead melody, thoroughly evolving to playing partly the development of the picking lead melody together, mostly one instrument leads the other, both develop brilliantly the tune together on an almost dancing with the waves rhythm.
The second track still fits well, but is a bit more like a different sort of improvisation, in a different mode, both instruments seems to add more and more rhythmical accents, pushing a rhythm forward until a tin drum appears as well, something which does not seem so absolutely necessary in its approach, but which still fits ok with the music. The raga in this case has more strummed rhythms too. It is very good but the first track sounded brilliant.

A very enjoyable to listen to mini-album like a fusion between different areas and genres. The harp and the Indian guitar blend really beautiful.

Audio : http://ericcarbonara.bandcamp.com/releases
& http://jessesparhawk.bandcamp.com/album/sixty-strings
Label info (& audio) : http://www.vhfrecords.com/catalog/129.htm
Distributor info : http://www.midheaven.com/item/sixty-strings-by-sparhawk-jesse-carbonara-eric-cd
Other reviews : http://www.dustedmagazine.com/reviews/6560
& http://swingsetmagazine.com/2011/09/jesse-sparhawk-eric-carbonara-sixty-strings-vhf/
& http://www.foxydigitalis.com/foxyd/?p=11094
& http://archives.citypaper.net/articles/2010/11/18/eric-carbonara
& http://www.normanrecords.com/vinyl/125131-jesse-sparhawk--eric-carbonara-sixty-strings
& http://boomkat.com/.. & http://aquariusrecords.org/cat/s48.html
German review : http://dasklienicum.blogspot.com/2011/06/eingestreut-269-jesse-sparhawk-eric.html
Nada Sound StudioEric Carbonara : The Paradise Abyss -LP/digi/digipack cd- (US,2011)****'

On this release I recognise how Eric Carbonara combines a couple of guitar techniques to switch quickly and on an inspirational level from one focus of a style to another. There’s something of a flamenco starting point, using the fingers with smashing, moving hands, for Eric Carbonara this seems to be the starting point only to find something more melodic, not losing himself in the passion of the hand shakes. The tunes that come forth from it have, something totally different to flamenco, baroque-capable melody in its pickings, like from a classically trained inspiration. Elsewhere a few fingers dance a rhythm and more Middle Eastern/Andalusian tunes come forward, occasionally changing into something more bluesy or again more melodic, arpeggio’s as a few returning points herein. The last few tracks with open tuning leaves the album with an open ending as well. There’s definitely some talent hidden in here and a unique style is still in development.

Audio : "Lullaby For A Setting Sun"
Homepage : http://www.ericcarbonara.org/ & with audio : http://www.myspace.com/ericcarbonara
Guitarist intro on http://www.last.fm/...
Info & audio : http://ericcarbonara.bandcamp.com/album/the-paradise-abyss
Other reviews : http://www.foxydigitalis.com/foxyd/?p=4290
& http://www.dustedmagazine.com/reviews/6167
& http://workandworry.com/?p=2484
Articles : http://www.allaboutjazz.com/php/article.php?id=38188
& http://archives.citypaper.net/articles/2010/11/18/eric-carbonara
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