NEW ACID / PSYCH- & EXPERIMENTAL FOLK from FINLAND review page 2 :
<--page 1

listed here are : Marja Mattlar, Kosmos -2x-, Islaja, Ville Leinonen, Joonathan Elokuu

Go back to review page 1 of Finish experimental/acid/psychfolk
Finnish prog reviewed on next page (2 pages)
Finnish folkrock reviewed on next page (2 pages)
overview on Finnish prog here
or
go back to Psychedelic Folk page
go back to General Index page
Isis Rec.Marja Mattlar : Polku (FIN,2007)***'

Finnish singer-songwriter Marja Mattlar seems to hang around these regions (France,Belgium) more often. Her debut was recorded in Paris under the guidance of producers/musicians Gabriel Yacoub & Patrice Clementin. After another, entirely Finnish album, she also did a live album called 'Marja Mattlar Belgiassa' (‘Marja Mattlar in Belgium’) recorded during her ‘96 and ‘97 concert tours in Belgium, as a duo with cellist Outi Rapia. Her third studio album Vesi (‘water’) was recorded mainly in Sweden and France with French, Swedish and Finnish musicians, with additional  arrangements and production by Gabriel Yacoub and Jaakko Viitala. The Finnish heavy metal group Timo Rautiainen & Trio Niskalaukaus covered three of her songs between 2000 and 2002. So she invited the band for one track on her fourth album, and it was also produced by a former rock musician, Yari. This fifth album Polku (‘path’) is produced by Ilmari Issakainen and Tyko Saarikko, two members of the Finnish neofolk/ambient gothic band Tenhi.

As if behind a curtain, I need to lift the veil a bit to settle myself in this very nice, somewhat desolate but still gloomy sad music, with sparse arrangements of acoustic guitar, a bit of violin and cello, and keyboards. This is strong reflective song music with poetry in Finnish, but it could be in any language, because the voice expresses this just like another musical element, the same way that fingerpicking sounds contribute to a song. Translations in English are added in the booklet, so you can read through it, with some fitting minimal photographs of mostly leafs and branches. Nature is here taken as a strengthening metaphor providing the right transcending images for these reflections. Very nice, and very personal, but entirely comprehensible.

Audio : "Piilokuvan mies","Etkä sinä minua","Sanoiksi lauluun","Mikä jää"
Homepage (also in English) : http://www.vuorenk.pp.fi/marja/
Description : http://clear-spot.nl/catalog/view.php?item_id=280849
Discography on Finish interview : http://www.elvisry.fi/042000/mattlar.html
1.PrivateKosmos : Polku (FIN,2007)***°

Kosmos developed their unique style further, of sweet and gentle, melodic psychfolk, with a female vocalist who’s voice sounds like whispery wind in nature, with gentle acoustic guitars, and some more dreamy analogue keyboards, softly spreading in space, as the cosmos part of the group. The lyricism in the songs remains while the instruments change more often within each song. I can only compare this to the likes of a softened (German) Emtidi, the best of the (Dutch) Night Watch, and to the Basque Itziar and perhaps the first Haizea. Some members also appear in the group Viima (review on next page), of which Kimmo Lähteenmäki plays full time in both groups. One of the warmest psychfolk releases you can buy now. The LP version is limited to 500 copies.

Kosmos is Päivi Kylmänen : vocals, voice, whispering, whistling ; Kimmo Lähteenmäki : drums, piano, organ, mellotron, synthesizer ; Kari Vainionpää : guitar, bass guitar ; Aapo Helenius : guitar, conga drums ; Olli Valtonen : shrutibox, theremin ; Ismo Virta : guitar, organ, mellotron, synthesizer.

Audio :  "Polku 1", "Vieras kieli", "Omini'i Dakakos", "Kesä" & on http://www.myspace.com/kosmosband 
Homepage : http://www.nic.fi/~ovaltone/kosmos/
Description : http://clear-spot.nl/catalog/view.php?item_id=280864

Review of first album here


2.Private    Kosmos : Vieraan Taivaan Alla (FIN,2007)**°°

This latest album of Kosmos might need just some patience of the listener who might be used to an overactive life and who expects the whole “progressive” edge to enfold itself too quickly because in this Kosmos-rhythm things enfold slowly to the top, leaving space for the other aspects for to be appreciated, one by one. The first part are with acoustic songs mostly, sung by a beautiful female voice, with or without some mellotron and some percussion, some violin on track 3, and some bassoon on track 4, all is a bit more down to dreamy songwriting spheres. They lyrics are in Finnish but those who want can follow the included translations. Then thoroughly the mellotron comes back in, and other elements become stronger, (just in time) like some electric guitar and bass and drums, a few spoken word passages (male voice) with tampura, and one longer heavier psychedelic jam, in a different also more worked style which suits the band well.

Audio : "The Sleepless Angel", "I Give In", "On Windy Days", "The Strangers Arrive"
Info & audio : http://www.myspace.com/kosmosband
Homepage : http://www.nic.fi/~ovaltone/kosmos/
Description on http://www.jukeboxshop.net/... & http://www.clear-spot.nl/...
Finish review on http://desibeli.net/arvostelu/4126













Fonal Rec.   Islaja : Ulual Yyy (FIN,2007)***/****

Although in essence not too different from many other releases from the Fonal label, Islaja very much succeed in adding something like a unique musical language of her own (with the Finnish tongue already adding its own, mystic aspect). She builds up free weeds and moss layers of close harmonies, with vague intuitive directions of keyboards and vocals mostly with only some bass, sax, drums by some guest musicians, spinning her own natural and free world, with expressions which are bluesy to some degree, plus poetic and dreamy in a surreal sense, describing a strange world, with its own natural logic, and beauty. To a degree the free-emotional improvisation excursions are easy to follow, but have a spray portion of wonder and strangeness, as if being accompanied by ghosts with a colourful natural glow in shadows.

Audio : "Pete P","Muukalais-Silma","Sydanten Ahmija", "Laulu Jo Menneesta", "Muusimaa" (or here),
"Pyrahtyneet Planeetat" & on http://www.juno.co.uk/ppps/products/264354-01.htm & http://www.secondlayer.co.uk/tracks/p4050.htm
Label entry with 3 audio tracks: http://www.fonal.com/shop/islaja_ulualyyy_12
Other review with 3 audio tracks : http://www.boomkat.com/item.cfm?id=30797
Other reviews : http://www.gothtronic.com/?page=23&reviews=3524
& http://www.clear-spot.nl/catalog/view.php?item_id=278278 & http://www.volcanictongue.co.uk/?cat=1
& http://bolachasgratis.blogspot.com/2007/04/islaja-ulual-yyy-2007-try-it-slajas.html
& http://www.tonevendor.com/item/25588 & on http://calmintrees.blogspot.com/
Dutch reviews : http://www.kindamuzik.net/artikel/15207
& http://www.velvetmusic.nl/shopping/product_details.php?id=3068064
Intro on Islaja : http://en.wikipedia.org/wiki/Islaja
Homepage : http://www.islaja.com/
Fonal Rec.   Ville Leinonen : Ville Leinonen : Suudelmitar (FIN,2007)***°

Basically, Ville Leinonen is a singer-songwriter, who he evolved with this new album into so arranged music ; it this is now more about the music feeling, more than song music demanding textual understanding. Villy tried to capture here, in music something of the common ground feeling for warm tunes, which, like breezes of inspiration, are understood and adapted easily. I hear slight Latin/Cuban (rhythm)/Mexican (trumpets)/Indian (sitar,tabla use), flamenco (guitar) and even Greek (mandolin) flavours of inspirational dew into the songs. Some basics are troubadour or songs with acoustic guitars (guitars which can be rather strummed and still feel orchestrated and melody driven), and are never without thoughtful layers of arrangements. A female second vocalist or flutes or tiny bits of jazzy ideas bring the same kinds of joyful breezes.

Audio : "Suudelmitar", "Wien" & http://www.myspace.com/leinonenville
Video (not from this album) : http://www.youtube.com/... & youtube
Homepage : http://www.villeleinonen.com/
Label info : http://www.fonal.com/shop/villeleinonen_suudelmitar_cd
with Helena Halla live
private   Joonathan Elokuu : Mushroom Heart (FIN,2009)****

I received this privately released cdr of 100 copy limited edition only, which its small amount of copies is a bit a shame. This reminds me a bit of early The Owl Service, which deserved also wider recognition, and luckily their release was taken up by Leaf records afterwards, I hope the same will happen with this one.

The tracks have just a few returning harmonic drones, a trippy harmonic bass drone (with breathy wind effects or accordion or textured organ and peddling water sounds,..) starting and ending the compilation, like breathing in and out, with some picked and electric improvisations with psychedelic effect, the acoustic picking songs that lead the tracks are mostly in the British folk tradition (from old flavours to new territories). The first song, “Adieu to old Finland” is based upon the British traditional, first sung solo by Helena Halla, then with second voice by Joonathan. Most songs are kept relatively in its basic expression, with subtle arrangements of acoustic guitars, melancholic accordion and voice, while when with (the sweet second voice) Helena Halla and the beautiful textures it sounds even more complete. Beautifully different, also in use of language, sounds “Perjehduslaulu”, the only Finnish song, sounding very close, in singing, language and accompanying style, to the acoustic, Welsh band Pererin at its best. Also included is a rather English tradition styled “The Little White Road” by Donovan. “The Calling of Crows beckons us home” is a bit bluesier, just with two acoustic picking guitars. “As Far as Gilead” from C.O.B. is stretched to an 11 minute song, slowly and moodily, but arranged with the necessary elements, and a beautiful outro. A beautiful album.

Info & audio : http://www.myspace.com/elokuut