Cristal Rec.    Les Doigts De L'Homme :Les Doigts dans la prise (F,2008)****/***'

I must admit that I was very surprised by this 3rd album by the band which I think is a large improvement. While with their previous album I still had the impression their main core was a stylistic game, played with pleasure to play fast and with some humour, with different styles in a skilfully entertaining way, this is much more than this, and with another level added to their skills. There are more worked out ideas of blending arrangements, showing a matured inventiveness. The guitar fundament comes a bit more forward, as if there’s a post-Djando Reinhart jazz-guitar skill learned taken to different worlds of jazz and ethno-folk genres, which, together with the fast double bass, turn this into a new style of a sort of 'Folk-Jazz-Hop'. They still play fast often, but add even more contrasts when doing this, combined with the different worlds of inspirations. There are some strong self-humour songs. Also, the album has many surprises which does not place the band too easily into one category or description. Suddenly there are used electric guitar parts, and another track uses seriously an Arab theme on oud. Somewhere there’s a flamenco singer invited in, and the band used harmony vocal themes elsewhere.

Like I said before, this is a great improvement which makes this band not only interesting for live occasions but also for musical ears who want something different and well blended compiled with classical, folk and jazz skills combined...

Audio :  "Les doigts dans la prise", "Zinédine tzigane","Les portes de la gloire", "Pschitt", "La Place Du mort",
"Identité Nationale"(or here) , "hungaria" ;
videos on http://www.youtube.com/... & http://www.dailymotion.com/...
Homepage : http://www.lesdoigtsdelhomme.com/
Label info : http://www.cristalrecords.com/... & http://www.homerecords.be/...
French review on group :http://www.roseraie.org/saison%202008-2009/octobre08/doigtsdelhomme.htm
& http://montpellier.letsmotiv.com/... & release : http://www.roseraie.org/...
Review page / listing of some new French "Folk Rock" and "Folk" related releases  :

Les Doigts De L'Homme (2x), Tam Ná Vulinn, Gabriel Yacoub, La Bergère (2x),
other French groups.., other links

Any recommendations of creative folk releases
with a true spirit for the music?
Please E-mail me to inform me.

















More acoustic music from belgium, chamber music related,
you will find on next review pages, starting on http://progressive.homestead.com/belgium2.html -->

or go back to the
psychedelic folk index page
or the full (radioshow related) music index
Home Rec.    Les Doigts De L'Homme (F,2007)***

Although this is packed with an amusement/entertainment approach, the musicians are not of easily satisfied "hum-papa" simplicity. While the cover shows a puppet music theatre it is, of course presented similarly, sitting in a bar and amaze the people with a clever attack on the strings fast like bullets. While the related common expression “droits de l’homme” means ‘human rights’, their group’s name means “men’s fingers”. And a finger fast cleverness is something all three musicians have. The swinging bass  is played by Tanguy Blum, the banjo or guitar by Olivier Kikteff and the mandolin or rhythm guitar/charango  by Yannick Alcorer. It is said they mix gypsy, jazz and rock, while there is often a constant hahahoho hophophop hicking and well played feasty fastness with especially much guitar virtuosity, this comes over like a Mexican seduction dance of bandits, brilliantly played so that they can run off unnoticed with the people’s money after having left them with the idea that their public had the best feast of their life ; but, behind all that, lie also some serious skills. The biography on their website explains how Olivier Kikteff first was interested in rockabilly. By chance he travelled to Burkina Faso to become a minor star with Bilaka Kora, touring with him for a year, while discovering African musical ideas, and learning to play kora, ballaphon and percussion. When he came back to France he played with several Afro-Jazz as well as Celtic groups. In 2002, in need for money he had to come up with something else, and he established a trio called Doights de l’Homme where he could combine all experiences, keeping a swing alive. Their first album led to a huge tour in France. Their seriousness can be heard in some of the instrumentals, especially when going toward a more jazzy approach, where they suddenly sound not only clever but also blood serious and blending styles (just listen to “LeValse des Rois” or  “les doights dans la bossa”, or “Blue Sky”, between jazz & ska, or on “Cuba-Texas” (the name explains it). There are several songs on this album too (in French), but the instrumental part, as instrumentals or arrangements leads enough it doesn’t matter at all for those listeners who don’t understand this. Even when this concept of a group is meant to entertain, the way that they show their creative skills make it worth experiencing from various directions.

Audio or videos: "Stenay vous bien", "Ce vieux conte Dracula", "Crise de nerfs", "140 C", "Camping sauvage
à Auschwitz", "Métal hurlant"(or on video), "Faites du bien", "Rythme futur", "La valse des rois", "Etre ou avoir"
& http://www.myspace.com/lesdoigtsdelhomme  ; video's on youtube
Homepage : http://www.lesdoigtsdelhomme.com/
Label info : http://www.homerecords.be/anglais/en_les_doigts/en_doigts.php
Article : http://www.chateau-lacour.com/311.0.html
& http://www.satellit-cafe.com/public/page.tpl?rub=20870&art=20935
Dutch intro : http://www.muziekpublique.be/html/nl/concerten/cn20071118doigtsdelhommeslang.php
French article : http://www.djangostation.com/jazzmanouche.php?article78next album->
Home Rec.    Tam Nà Vulinn : Vestibule (F,2007)***

This Breton trio have an experienced well connected artistry talent of improvising with themes from Irish folk and folkrock, a rather independent form, which easily switches its flavours to jazz-folkrock/jazz and even occasionally jazz swing. Each musician is able to make the same switch in their inspirations, something which makes this combination work so well. The 5-string violin improvisations (Baptiste Argouarc’h) can be, just slightly or more focused Irish folk or a bit more stylish jazz (a bit like Grapelli). I also noticed a few occasional string arrangements. Also the guitars (Alexis Amette) switch from time to time, can be even rocking, a bit funky, are able to lead and as well as follow. Just once I also noticed a guitar like kalimba rhythm ??? And also the percussionist (Mathieu Guyon) delivers beautiful at times Mal Waldron like flavours on his vibraphone. As a vibraphonist he most often is jazz inspired, while his percussion can handle lots of different moods and ideas. I even noticed ones ticking rhythms imitating an Irish jig on a bell-like sound. Great and convincing music. 

Audio : "Vestibule", "Happy wet nuddles", "allerjig", "The lost kids of Nairobi", "Je me suis fait tout petit", "Vice city", "Tutu", "Tati myann", "Three legs", "44-32"
& on http://www.myspace.com/tamnavulinn

Homepage : http://www.tamnavulinn.com/
Label info : http://homerecords.be/anglais/en_tam/en_vestibule.php
OTHER FRENCH GROUPS / SINGERS WITH ACOUSTIC ELEMENTS
listed on my pages :

- REISSUES (see some covers just up) :

* Dandelion (France-prog/acidfolk) : review
* Emmanuelle Parrerin (France-acidfolk/psychfolk/folk) : review
* Folkdove (France-folk) : review
* Ilous & Decuyper (France-ssw/prog) : review
* Jean Yves Tourbin (France-acidfolk/song) : review
* Marie De Malicorne (France-folkrock) : review
* Mormos (France/psychfolk/acidfolk) : description
* Saga de Ragnar Lodbrock (France-darkfolk/prog) description
* Troisieme rive (France-progfolk) : description
* Yves & Serge & Victor (France-song/folk/pop) : review

- FOLK :

* Didier François & Gilles Chabenat & Gabriel Yacoub (Belgium/France-folkfusion/chamber) : review

-PSYCHFOLKPOP SECTION :

* Colleen (France-dreamy/minimalism/pop) : review 1-2, review 3
* Cyann & Benn (France-dreampop/psychpop) : review 1, review 2
* Melodium (France-folktronica/dreampop) : review
* Woman and Children (France-psychfolk/indie/dreamy) : review 1-2

-SINGERS / SINGERSONGWRITER SECTION :

* Aesh (France-ssw/Indian crossover) : review
* Bed (France-artpop/chamber) : review
* Carbonic (France/US-acidfolk/ssw) : review 1, review 2
* Cathérine Ribeiro & Les Alpes (France-ssw/singer/prog) : webpage
* Dana Hilliot (France-indiefolk/ssw/loner) : review
* Delphine Dora (France-exp/acidfolk/loner) : review
* [Lemoine] (France-ssw/loner) listing
* Little Red & Lauter / Lauter (France-indierock/ssw) : review 1-2, review
* My Name Is Nobody (France-ssw) : review
* Orval Carlos Sibelius (France-ssw/artpop) : review
* Pascale Labbé (France,exp.voice,jazz,improv) : description

-ETHNO FUSION FOLK :

* Didier Malherbe & Loy Ehrlich (France-allworldfusion) : review

-ACOUSTIC CHAMBER :

* Philharmonie (France-chamber/rock) : description
* Tarentule (France-folk/chamber) : description

OTHER LINKS :

Philéas Folk website : http://folkyfreak.lautre.net/
Please e-mail me relevant links

Le Roseau    Gabriel Yacoub : De La Nature des Choses (F,2008)****

When Gabriel Yacoub went solo (after Malicorne) also in Belgium he remained one of the most respected French folk musicians. His vocal timbre alone, as well as his personal emotionally engaged and strong melodic variation in singing, fitting perfectly with the French language, sounding like a standard, is a perfect mastered example on its own. Gabriel’s way of inspiration and interpretations carry the songs through his vocal representation well, so that when he leads the music with his voice, like he does here, this alone brings already a dominating high quality to the music. Therefore it is not necessary to understand the lyrics to feel attracted by it. Gabriel Yacoub was guest in Belgium quite often. His latest album is therefore also distributed in Brussels.

And even when it seems it has been seven years before his last album I feel a strong mature quality. Like I said before, Gabriel’s voice leads all compositions, with captivating melodic fluency and expression, while being surrounded by well fitting arrangements. This is not really folk/pop nor singer-songwriter music, but keeps certain but hardly traceable folk flavours (like small electric hurdy gurdy touches). Above all, Gabriel Yacoub’s own lyrical-melodic expressions were formed in a rich folk and folk-rock past but within this he also established his own independent evolution that became something unique. The accompaniment sounds like a warm and calm podium-band ; sometimes the piano leads, and there are also good acoustic guitar pickings adapted to the melodic vocal ideas, some sparse, recognizable for Gabriel Yacoub, strong vocal arrangements, and a few brass arrangements that have a slight post-baroque flavor within a folk reference.
A strong expression.

Info (with audio) on homepage : http://www.gabrielyacoub.com/fr/disque/visuAlbum.php?idAlbum=33
& http://www.myspace.com/gabrielyacoub (more audio on http://www.musicme.com/..)
Label details : http://www.leroseau.net/artistes-du-label/gabriel-yacoub,5.html
& info : http://www.homerecords.be/anglais/en_yacoub/en_nature_des_choses.php
Le Roseau    La Bergère : Ouvarosa (F,2003)****'

First of all, Sylvie Berger for me has the sort of rich colours and emotionally strong and gifted folk voices and is the sort of song interpreters that I like best in a folk context. It a sort of uniqueness I already knew to some degree from Malicorne. Also here a couple of vocal harmonies can find comparison. But Sylvie’s voice is also sweeter than that, delicate and sophisticated, something which the acoustic but also beautiful slide guitar arrangements from Gabriel Yacoub (former Malicorne) is able to confirm the strength. Other arrangements include diatonic accordion, a folk brass arrangement by Frédéric Paris and Willy Soulette, second string pickings by mandola and mandoline by Sylvie, besides the addition of a couple of other touches, from which I must also mention the percussive ear for sounds on “Petits cailloux”. The music is based upon traditional folk and expresses poetry, -as musical song poetry-, using lyrics from Victor Hugo, Paul Fort, Francis Carco, Gaston Couté and also Gabriel Yacoub, all which are presented with a photograph of the author with each song and its context (in French). A more than perfect album! It is these sort of superior albums which makes collecting folk, also from French origin, worth the continuing support/collecting. Also the French press gave it deserved rave reviews.

PS. The title of the album signifies “Where is Rose going ?”
Sylvie Bergére also sang on Ambrozijn (one of these albums is reviewed here).

Audio : http://www.myspace.com/labergerenet
& on http://www.labergere.net/disques.html
French/English review with audio : http://www.cdroots.com/elf-ouvarosa.html
Homepage : http://www.labergere.net/


Le Roseau      La Bergère : Fi De L'Eau (F,2006)****

Many more individual contributors are invited for this second album, this time creating a  even more warm sound, which is either more passionate in its full sound or slightly melancholic compared to the slightly more delicate début. La Bergere’s core consists now of a trio with Sylvie Berger on vocals, Julie Biget on guitar, bouzouki, mandoline, percussion, vocals and Emmanuel Pariselle, and with Gabriel Yacoub within close range of being another member. The new album is a song album like a diary of thoughts involved with the looking back on the children’s times, sometimes with sadness on what is lost and gone and other fitting songs, inspired from different sources.

Video live : http://www.youtube.com/...
Info (with audio) on homepage : http://www.gabrielyacoub.com/fr/disque/visuAlbum.php?idAlbum=33
& http://www.myspace.com/gabrielyacoub
& audio : http://www.myspace.com/labergerenet
Label info & audio : http://www.labergere.net/disques.html & distributor :
http://www.homerecords.be/francais/labergere/fidel'eau.php

Review on http://www.rootsworld.com/reviews/bergere07.shtml
French article : http://www.amta.com.fr/fr/production/titre.asp?codetitre=511