Czech folk-rock/chamber-folk
Jablkon
(played in my radio show)

CD (1991), CD (1992), CD (1995), CD (2004), CD (2006), CD (2007)









B+N   Jablkon & Sveceny (CZ,1991)*****
airplay : Tr.4, "Lidová" (folk tune) 5 min, Tr.5, "Sazava River" 8 min,
Tr.9, "Inkvizicni" (Inquisition Song) 4 min 17 -120-

I saw this group live a couple of times, with wonderful performances for not too big halls. This is a very original acoustic music with talented multi-coloured percussion, skilful acoustic guitars, funny voice as
instrument contributions, very good violin improvisations. At track 5 shaking a water bottle is part of the composition. Another item almost impossible to leave out tracks. Another must have. One of the better folk related releases on the 90's.

Audio on homepage : http://jablkon.com/view.php?cisloclanku=2005051110

JABLKON
http://www.jablkon.com/

B+N     Jablkon : Baba Aga (CZ,1992)***°
airplay : Tr.2, "Baba Aga" 3 min, Tr.3, "Kolícek" (the peg) 4 min,
Tr.5, "Popí Rondo" (orthodox priests' pop rondo) 3 min

With more humour the group at this point seem to have developed their humoristic performance with fitting inspired and skilfully played music for it. Beside the powerfully played acoustic guitar pickings, we also hear 
funny voice sounds & complex multi-coloured percussion.

Audio : http://jablkon.com/view.php?cisloclanku=2005051312
Fysion         Jablkon & Chech Symphony Orchestra (with Sveceny) : live in Prague (CZ,1995)***°°
airplay : Tr.2, "Smutecni tanec" (dance macabre) 9 min, Tr.6, "Padani" (falling) 5 min,
Tr.7, "Popi Rondo" 3 min, Tr.11, "Baba Aga" 4 min 21

One of the best orchestrated releases of contemporary folk. I don't know much orchestrated rock, folk & pop releases who were succesful, but this surely is. (other good example I think was Renaissance live art Carnegie Hall,1976). The interpretations in combination with orchestra are done well ; -with Leos Svarovsky, as conductor- they might mostly even have enriched the original songs.

In 2004 there was made another symphonic Jablkon recording which was very different from this one->
Indies Rec.  Symphonic Jablkon : 'XXV' (CZ,2004)*'
(No tracks have been chosen for airplay)

After the excellent Symphonic Jablkon release of 1995, conducted by Leos Svarovsky, which I regarded as a very good example how folk(rock) with orchestra could work I was curious to the recording of this live concert, which has different arrangements. The orchestrations are exaggerated, fall back on easy stamping rhythms of the brass sections with orchestra. Here two mistakes of western (conservatorium based) educational musical ideas have been made : rhythms are used here as a fundamental for melodic explorations, instead of a rhythm that intuitively expands melodic evolutions, and the whole bunch of the orchestra is used for or as a notation without coming forth from a colourful balance of instruments that express something from within. In this way every aspect of the original self-containing musical evolution has disapeared. The public liked it. But the public just likes the general effects if you ask me. This public would have been more deeply moved if the fundamental aspects of the songs had received an arrangement that wasn't driven away from the original inspiration but would have increased its tangling, humouristic, ever moving playful effects instead.

Info with soundfiles of some tracks : http://www.indiesrec.cz/... & on http://jablkon.com/...
Description : https://www.tamizdat.org/...           next release ->
Indies Rec.Jablkon : Live Oslava (CZ,2006)***°
airplay in show 4: Tr.20, “Popí rondo” 4 min 

When I first saw Jablkon live and heard their first album with violin master Sveceny, Jablkon for me was the biggest revelation in folk. This does not automatically mean that all they ever do will have the same effect. First of all, the band mostly makes music for the Czech public, which will mean they also make songs that are understood by this public, while the pure fundament of instrumental cleverness gives a more universal creative understandable experience, a complete focus on it will give something of a more esoteric separation from a direct public contact, an opportunity which Jablkon obviously did not want to miss, not to give their commitment to, even when this means a slight loss of attention to the purest form of instrumental creativity. I was curious as to this special live concert with many guests. It gives a great overview of their repertoire (including humorous tracks, with poetic ramblings, a few bluesier tracks, and songs). Much of it is enjoyable, even when not a must, with some clever contributions, which includes some flute, crumhorn, and a small female background choir. The few tracks with violinist Sveceny are directing back to those early revelations. With additional crumhorn and a few clever rhythmical imaginations, they even add some surprise and variation to these original tracks. I am sure the highlights of the concert must still have impressed some people.

Audio : "Nursery Rhymes","Ms.Smodobova","Black Mary","Falling","Popo Rondo"(or here), "Cerná Marie",
"Jednou","Odpoustím ti Rút","Pet policajtu"
Videoclip here
Info & audio : http://www.indies.eu/us/alba/28/oslava/
Homepage : http://jablkon.com/
Description : https://www.tamizdat.org/rpm/?page=shop/flypage&product_id=IND-2901
& http://www.indiesrec.cz/Album.asp?ID=313&lang=EN
Dutch review : http://www.folkroddels.be/artikels/29896.html
Indies Rec.       Jablkon : Best Of Malá Lesni (2007)***°

Jablkon has already a huge repertoire, and I never had much of a grip on their later material, but this compilation is a fine entry with an 80 minutes overview with tracks mostly taken from three albums “Pisnicky/Songs”, “Bláznivá/Crazy” and “Cestující v noci/Night Traveler”, with some additional alternatives from four other albums. I have no detailed information, so I will keep my review also brief. I can only say that the songs, mostly rather basically arranged with guitar and percussion, with often some children voices and just a few extra instruments like bassoon or trumpet are entirely accessible and enjoyable from start to finish, so seem to be compiled perfectly. I am not only sure that without understanding any part of the lyrics, the musicality alone will feed, for its full length, all foreigners’ curiosity over this whole period, but it surely gives an entirely accessible and suitable listen.

Homepage : http://www.jablkon.com
Label info : http://www.indiesrec.cz/Album.asp?ID=358&lang=EN
go back to Czech folk-rock & Chamber-rock reviews
or go back the psychedelicfolk index
or go back to the general index