Riverman Music / The Seventh Dawn : Sunrise + 4 (US,rec.1970-1976,re.2007)***°
distr.: Bella Terra Rec.

The Seventh Dawn is nothing like any other American albums I know of, but has much more something comparable to the British folk-psych scene (Trader Horne, Ithaca/Agincourt,..). The reason for this style is that all 4 members of Seventh Dawn had written these songs when they were between 11 and 17. Ann & Heff were taking classes in electronic music, which gave them access to the labs with two synthesizers, two stereo records and one four track recorder. This protected opportunity was unspoiled by any style-pushed fashions, and had a comparable sweetness, innocence and almost pastoral purity to the best moments of the UK album of Sallyangie (with Mike Oldfield, also then only 15). The same reason why Ithaca was compared to Moody Blues (a reference which always is more symbolic, because MB never had that much of its own style-reference uniqueness in many songs), can be given here as a reference too. Just listen to the nice sweet-fuzzed guitars which flow softly like keyboards on “Such a lonely”. Another reference which is also relevant on one track, “Latecoming”. is Emtidi for its piano arrangements in combinations with the song. The female singer holds the middle of several possible references, like Vashti Bunyan (at times, like on “Sunrise”), and Trader Horn’s singer. Some people refer also to Trees’ singer Celia Humphries (which I understand, but that last comparison can be confusing). At first, the songs are sung by a female and then male vocalist, and are worked out well. Then more and more songs of Heff appear, sometimes a bit too sparsely arranged, and with tiny 60s psychpop flavours in its inspirations. It is wonderful that the album now is completed with these 4 extra surprisingly beautiful tracks, which have a welcome reappearance of the female singer, as exactly what the album needed to feel like a more perfectly finished musical concept.

PS. The album was 24-bit remastered by Jae-Soo Yi ; it is reissued in a limited edition on a mini-LP format. The original album was published as only 200 copies (Fantasy Worlds Unlimited) ; a re-edition of 275 copies was done by Project Aquarius in 1995.

Audio of all tracks : http://psychic.tistory.com/285 ; video on http://blog.naver.com/rivermancafe/130030863738
Homepage : http://www.heffmunson.com/ ;  Track listing on http://www.nasotec.co.kr/...
Info : http://lost-in-tyme.blogspot.com/2006/09/seventh-dawn-sunrise-1976-heres-some.html
Japanese info : http://www.thirdear.co.jp/... & Korean info : http://blog.naver.com/rivermancafe/130030863738
Other review of LP on http://www.lysergia.com/AcidArchives/lamaArchiveS.htm
Other description : http://clear-spot.nl/catalog/view.php?item_id=291582            next album->
Riverman Music / The Seventh Dawn : Dreams + 6 (US,1977,re.2008)****+°°°
distr.: Bella Terra Rec.

The band did record one more album at the Virginia University’s electronic music department. It has a more ambitious lead and more pushing but emotionally driven energy, an energy burst which on the first two tracks is symbolized by the use of the breaking out of a storm, first as a distorted sound with the electrified guitar on the intro, and then with the sound of the breaking out of the storm itself, with piano and up tempo on beat drums with cymbals and then with additional energy some fuzz guitar outbreaks. This conceptualized and still fragile creativity brings for me very much the “Ithaca” album in mind. The beautiful analogue and sometimes somewhat mellotron-alike synthesizer arrangements however can make an association with Emtidi’s “Saat”. These two associations will give an idea of many of the present the elements, like the moody use of amplified guitars, small reverb on the vocals or second guitars, the male, female or dual vocals, the keyboard arrangements and the minimal use of drums. Especially the up tempo drumming sounds slightly amateurish in its strictness (2,4), but without disturbing much, because the whole album shows a great flow and structure, which has good ideas and a few times wahwah effects in the evolution (7). There are instrumental breaks, the arrangements and vocal leads alternate brilliantly to make this album work well. The vulnerable naivety of some of the more sparse songs luckily is adapted well into the musical concept.

The bonus tracks, from the same sessions, are also lesser arranged tracks, sounding more naked, but with that little spacey reverb still working well. Only the harsher recording of the also less appealing song “Hating you” (15) and “Jack Daze” (16) for me should have been left out.

The band continued to exist, starting some gigs and with some line up changes until 1981.

Extremely limited, so be quick !

Info : http://www.heffmunson.com/heffmunson_018.htm & http://blog.naver.com/rivermancafe/130030863738
Info on 7th Dawn : http://www.heffmunson.com/abouttheseventhdawn.doc
psychfolk presents :
The Seventh Dawn

LP ('76)->CD ('07) ; LP ('77)->CD ('08)

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